Fast and Furious 11 is slated to be the final installment in the beloved action franchise, but there are some issues it will have to overcome in order to live up to expectations. Little is known about Immediately 11but it seems that it will be a continuation of the story that was put forward Soon Xand Jason Mamoa's new villain Dante seeking revenge on Dom and his gang. But after being disappointed, he came with them Soon Xthe series will have to make a dramatic U-turn to regain the Many fans have lost interest.
I Fast and Furious The franchise started way back in 2001, and has been going from strength to strength ever since. With bigger stunts, bigger budgets, and more recognizable faces, Fast and Furious it has become one of the most respected countries of this century – but that's no secret very few of the later sequels achieved significant success. If Immediately 11 wants to serve as a proper farewell Fast and Furious characters, it will need to go back to the roots of the series, instead of continuing the way it was going.
Fast & Furious 11 Can't Surpass Fast IX After Part 1 Problems
That Can Be A Big Mistake
To reach its full potential, Immediately 11 It needs to break the tradition of each sequel in terms of stunts and action. While big set pieces and big-budget explosions are always fun to watch, it's been a big problem for the franchise in recent years, as it's hard to find an identity without being an action spectacle. Immediately 11 has a much-needed chance to focus on the roots of the franchise, focusing on the characters and their relationships instead of throwing as much money as possible into the visual effects.
Soon XThe biggest problem was that beyond the explosions and car chases, there really wasn't a story. This was marketed as the final chapter in the saga, but the audience was given very little reason to care about the journey. These the last films should focus on the characters they've been there since the beginning, wrapping up their arcs in satisfying ways and making sure they're given the farewells they deserve. There are many exciting things to look forward to Immediately 11but substituting big stunts for this will only spoil the film.
The new Fast and Furious movies have been bigger than they have been in decades
It becomes a habit Little by little
This practice of increasing the level and increasing the drama of Fast and Furious movies is one that has been around for the past decade. It's a franchise-centric problem as well forced filmmakers to move away from grounded storytelling original films and write them into knots over returning characters and fan service retcons. Although this worked for a while, with movies like this Fast Five again Fast & Furious 6 admittedly saving the series from extinction, it's now gone too far.
Since then, the films have embraced their gritty, off-the-wall action and lost the immersive nature that audiences initially invested in this franchise.
Anger 7 successfully straddles the line between family drama and full-on action spectacle, but when that film did very well at the box officesent the wrong message to the studios behind it. Since then, the films have embraced their gritty, off-the-wall action and lost the immersive nature that audiences initially invested in this franchise. The most recent Fast and Furious the movies re-enact death, burn relationships, and freeze reality in a way that isn't seen in the first few movies.
Fast X's Budget Proves The Fast and the Furious Is Too Big for Its Own
The Last Movie Must Take a Step Down
The most obvious reason for this drop in quality is the increase in franchise budgets – since then Anger 7 worked its way up to the top of the highest-grossing movies of all time, the budget skyrocketed. This paved the way more stunts, more explosions, and more cars – but a small matter. It's a problem that has existed ever since The End of Wrathbut it was not very clear until Soon X. The film seems unsure of itself, not knowing at all what the audience wants from this story – and the only solution is to be bigger, brighter, and more daring.
To some extent, this closes the cracks in the narrative, but it doesn't hold up well under scrutiny. Dante's over-the-top personality is enough to keep the audience invested from beginning to end, but there is no emotional weight to the story. At least Anger 7 was focused on the character of Paul Walker, Brian O'Conner, to give you depth, but Soon X it doesn't have that. It just assumes that the audience will care about what's going on, just because it's big and superficially exciting, but it doesn't go beyond that.
Fast & Furious 11 Should Be A Smaller Movie Than Fast X
To Go Forward, It Must Go Back
However, that does not mean that Fast and Furious I can't go back to what it was. There are still many things Immediately 11 could do to get back on track and provide a satisfying conclusion to this epic franchise series. While it's common for the last movie in a series to be hugely explosive and high-profile, this one should be the opposite Fast and Furious. Saga has spent a lot of time with it car chases, action set pieces, and big budget shows – now is the time to slow down, get out of cars, and settle scores between characters.
The cliffhanger ending of Soon X he saw Dom Toretto and his son in danger of death at Dante's hands, just before the villain revealed it. Dwayne Johnson's attorney Hobbs was next on his list. Fortunately, this can be easily resolved in the first act of Immediately 11which leaves plenty of room for the crew to finish Dante's vendetta and pull all the narrative threads together in a way that doesn't feel forced. There's plenty of time for Dom, Letty, and their friends to bring their separate adventures to a happy ending without spending the entire movie fighting Dante.
However, it can be argued that Fast and Furious It's been a long time coming on the gas, and finally letting it go would disappoint some fans. That's why the series needs to find a balance: it can't completely abandon the amazing action of the previous films, but it also can't fully rely on it. Hopefully Immediately 11 could find a way to combine these two very different styles of filmmaking to a conclusion that celebrates the entirety of this long-running franchise — not just the latest installments.
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