2024 film by Robert Zemeckis and Tom Hanks Here uses panels to represent different eras, and here’s why the film does this and why they don’t work. Zemeckis’ latest experimental film uses a device in which almost all Here is filmed with one camera angle. However, the film also heavily uses panels that feature windows from different eras, making this one of the more confusing aspects of the story. Here.
Tom Hanks, Robin Wright and Robert Zemeckis are reuniting after Forest Gump to Herewith this big reunion happening 30 years after the release of the 1994 film. Here explores a single terrain, following the events captured in the film’s single frame, from the prehistoric era to the 2020s. Robert Zemeckis’ film had poor critical and commercial receptionwith many details from the film leaving fans scratching their heads.
Here’s the panel format that pays homage to Richard McGuire’s original comic
It is pulled directly from the source material
It turns out that Herethe use of panels is actually an homage to the film’s source material. Here is based on a graphic novel by Richard McGuire, starting as a 6-page story released in 1989 before being expanded to a 304-page story released in 2014. THE Here graphic novel received critical acclaim upon its releasecatching the attention of director Robert Zemeckis and earning a film adaptation.
THE Here comics often have panels within panels, with this unique art style making Here so popular. Robert Zemeckis’ Here the film attempts to recreate this iconography from the source material, with smaller frames opening within the frame. This happens throughout the Herewith this trick present even in the film’s trailers.
Why Panels Don’t Work in the Movie Here (But They Work in the Comics)
They just don’t translate well
Even though the panels are one of the best parts of the Here comics, they just don’t work in Here film. In comics, readers expect to see panels. While HereThe panels are a little different from typical comic book panels, they’re already on the page, meaning it doesn’t take long to adjust.
Robert Zemeckis’ Here the film, however, has the panels appear on screen. Viewers have to see the panels open, stretch, and move across the screen, which is very distracting. The formation of these panels constantly reminds the viewer that they are watching a film, which is one of the many aspects that led Robert Zemeckis to Here to be a disappointing experience.