The 25 greatest quotes from Beetlejuice

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The 25 greatest quotes from Beetlejuice

The best Beetlejuice Quotes show what the classic horror-comedy remains One of Tim Burton’s most beloved cult favorite movies. 1988s Beetlejuice Star Michael Keaton as Beetlejuice, an evil spirit who helps Adam (Alec Baldwin) and Barbara (Geena Davis) rid their home of the new family that moved in. Tear into everyone from the dead to the undead and never care who he offends.

Like most of Burton’s films, the screenplay was sharp, and the characters were quirky, unique and memorable. They express themselves through a series of memorable quotes, with Adam and Barbara excited and the new residents of their home ranging from flamboyantly annoying to dismissive and completely over it. With several great cast members joining Keaton, including Winona Ryder, Catherine O’Hara, Jeffrey Jones and Glenn Shadix, Almost every character has some great lines that helped the movie be considered a classic. The new one Beetlejuice Sequel has a lot to live up to.

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25

“There’s a word for people in our situation: ghosts.”

Adam

when Beetlejuice As the story begins, Adam and Barbara realize that they are dead. They have no memory of what happened and don’t even know they are dead at first. However, as the gravity of their situation begins to take shape, they both try to figure out what’s going on and what they need to do next. The two realize they live in their old house but can’t leave.

When Barbara mentions their “situation”, Adam simply breaks up their jam, which sets up the movie. He reaches the very matter-of-fact conclusion that they are ghosts, and it’s time to figure out what they’re supposed to do about it. This is an important moment because they have to start making their plans how to settle in their new life, which is then thrown into confusion when annoying people move into their home and they have to find help from Beetlejuice.

24

“If I knew then what I know now, I wouldn’t have had my little accident.”

Miss Argentina

When Adam and Barbara learn that they can go to the “other side,” they see that it is an office building with a waiting room. In that waiting room, many people are sitting and waiting to find out what’s next for them – from a football team that died in a car accident to a person who was clearly run over by a car. Finally, they hear that someone is calling from their number and go to the receptionist, who happens to be the former Miss Argentina.

As Adam and Barbara plead their case, Miss Argentina tells them, but she lets them know there’s nothing she can do. She then reveals that because she took her own life – her “little accident” – She is doomed to an eternity working behind a desk to help with the bureaucracy of the afterlife. This is a moment when Adam and Barbara realize that their situation is grim, but things could get even worse. Of course, things get a lot worse for them, but at least they’re not behind a desk.

23

“You can’t scare her. She’s sleeping with Prince Valium tonight.”

Lydia

Adam and Barbara begin their meticulous plans to scare the new tenants of their beloved home. It wouldn’t be so bad if the tenants were more like the got girl Lydia. However, her parents are a little on the weird side, with her mother very eccentric and wanting to redecorate the old house with art-house decor. They want nothing to do with it and start haunting the family – to no avail.

They won’t do anything to disturb Delia, Lydia’s mom, because she has already taken her Valium and is numb from the whole situation.

Lydia seems amused and willing to help them, but she admits on this particular night that they won’t do anything to disturb Delia, Lydia’s mom, because she’s already taken her Valium and is numb to the whole situation. It’s a funny moment that shows Lydia’s sense of sarcastic humor, which suits her well considering her gothic nature. It also says a lot about her mother, who, despite being a narcissistic pain, is also someone who self-medicates for her own reasons.

22

“Please, they’re dead. It’s a little late to be neurotic.”

Delia

Delia is the mother (played in Beetlejuice by Catherine O’Hara), and she wants to turn this old home into a new temple for her weird and eccentric artwork. Her husband seems to have given up on caring and Lydia is ready to get out of there as soon as she can. However, once the family learns that there are ghosts out there, instead of running, they decide that they want to communicate with the ghosts and possibly control them.

Lydia tries to explain that they don’t want their home changed, and Delia doesn’t care. As she says, they’re dead, so it’s too late for them to be neurotic about the situation. This escalates things for both Adam and Barbara as originally, they just wanted the new annoying family out of their home. However, with Delia wanting to bring someone to help control the ghosts, the dead couple realize they have no other option and realize they need to call Beetlejuice to help them.

21

“If you act now, you get a free demon possession with every exorcism.”

Beetlejuice

Beetlejuice is many things in this movie. He is a poltergeist, a troublemaker, and wishes he could be a lady’s man. However, he is also almost the same as a Shister. He’s not just a demon that shows up when someone says his name three times, like Candy. Beetlejuice is someone whose only purpose in life is to sell himself to people who need help. When he sees that Adam and Barbara need help but seem unwilling to trust him, he goes on a long rant about all he can offer them if they hire him.

That specific line sounds like it came straight out of a late-night Shopper’s Network ad — but Beetlejuice is selling itself. There were rumors that he may have been a conman in his previous life, but although this was shown to be false, it is clear that he developed the attitude and skills of a conman in the afterlife, and this is a perfect example of how He sells his skills to people who might otherwise know better.

20

“Barb, honey…we’re dead. I don’t think we have much to worry about anymore.”

Adam

For a couple who just died, Adam and Barbara didn’t seem too upset about it. It was more of an inconvenience, as opposed to a traumatic event. Their conversations about their predicament make for some of the best Beetlejuice quoted, with the death-pan discussion of ​​Death Like It Was a Leaky Garage Roof juxtaposing the bombastic lines of Keaton’s Beetlejuice.

This specific Beetlejuice quote is a funny and ironic silver-lining statement that showcases how the couple viewed life – and the audience lives – with a glass-half-full attitude. All they really had to contend with was an annoying family masking in their home, but the trade-off is a drastic reduction in daily headaches and life concerns. They realize that there are more dangers later, but it seems at first, they are ready to just hang out in their home and not deal with real-world problems anymore.

19

“I know just as much about the supernatural as I do about interior design.”

Auto

The character of Otto is a friend of Delia’s who works with the Deetz family to redecorate the inside of their new home. He claims to know a lot about the supernatural, which he explains to Delia and Charles after they agree to invite Maxi Dean to their house. Otto says, “I know just as much about the supernatural as I do about interior design“, which sums up his personality and talents quite well.

Of everyone in the movie, Otto is the most overconfident, but he’s also a salesman, just like Beetlejuice.. He just doesn’t have the stomach to follow through when things get tough. There is also a side note to this specific comment. When he says that he knows as much about the supernatural as he does about interior design, he can also say that he knows nothing about either subject, in all reality.

18

“Let’s put the juice on and see what shakes out!”

Beetlejuice

As unpleasant as these dates are, it makes sense why Adam and Barbara want them out of their home, no matter the cost. Beetlejuice is creepy enough in his human form, but later in the movie, he turns into a snake with a giant head to scare the Deets. Just before he enters the mortal world, he says, “Let’s put on the juice and see what shakes out.

Of course, there is a pun here, that he shakes his clapper like a rattle, and it also shows how crooked Beetlejuice can be, because he often lives and dies by his one-liners in the movie. This line comes just moments before one of the most iconic scenes in the film, signaling that this particular ghost is not quite like others in the cinematic world. This is a horror comedy, and the horror moments remain shocking until the scary Beetlejuice ending

17

“It’s Showtime!”

Beetlejuice


Michael Keaton in Beetlejuice saying "It's Showtime."

The letters in Beetlejuice Are quick to find out that getting help from the titular ghost does more harm than good. Unfortunately, Lydia has no choice near the end of the film after Otto performs a séance to summon Adam and Barbara. This causes the couple to quickly decay once brought into the mortal world, so Lydia agrees to marry Beetlejuice so that he will save her new friends.

After she says “Beetlejuice” for the third time, he stretches out his arms and says, “It’s Showtime” As lightning strikes in the background. This line is among the most iconic Beetlejuice quoted, and featured in the family-friendly animated series that debuted shortly after. Of course, even though it’s the most iconic line, it’s mostly just a tagline added to the movie that was bigger than even Beetlejuice itself, as it has moved into other areas of entertainment and even the sports world.

16

“I’m trying to cut down, myself.”

Char man

Early in the film, Adam and Barbara discover these Handbook for the recently deceased And decide to travel to the netherworld. Once there, they discovered a waiting room filled with other people who had died in different ways. Adam sits down next to a man who is burnt to a crisp, who gives him a cigarette. Adam says he doesn’t smoke, and the man replies:I’m trying to cut myself off.

It was an obvious bit of satirical irony, and the look of the man burned to death after smoking adds to the punchline. This is something that is a lot of life in the afterlife, because most of the people in the waiting room make ironic comments or just sit there in ironic poses and appearances that tie in how they died. It even plays out hilariously at the end of the movie when Beetlejuice is sitting in the waiting room waiting to talk to someone and sees the vaccine dead people around him.

15

“I’ve seen The Exorcist about 167 times, and it keeps getting weirder every time I see it!”

Beetlejuice


Betelgeuse grins creepily at Beetlejuice

Soon after Barbara and Adam realize they are dead, a new family moves into their home. Existing as ghosts, Barbara and Adam want the invisible family gone so they can spend eternity in peace in their home. To do this, they hire Beetlejuice, who advertises himself as a “bio-exorcist.” After saying his name three times, the pair ends up in Adam’s miniature town, where they find Michael Keaonts “bio-exorcist” waiting.

Well, I attended Juilliard, I lived through the Black Plague and had a pretty good time during it. I’ve seen The Exorcist about 167 times, and it keeps getting weirder every time I see it! Not to mention the fact that you’re talking to a dead guy. Now what do you think? Do you think I’m qualified?

Barbara wants to hear his credentials, And Beetlejuice’s answer is a list of some of the most disturbing things. When he delivers the quote about the horror film, it shows that he is still selling himself and figures the best way to do it is by using an example that a person can recognize. In this case, it’s an iconic horror movie.

14

“I’m the ghost with the most, babe!”

Beetlejuice

One of the first times Lydia interacts with Beetlejuice, the poltergeist is tanning from the lights on a strip club in Adam’s miniature town. Lydia comes to talk to Beetlejuice and asks if he is a ghost, to which the character replies, “I’m the spirit with the most, babe!” Beetlejuice then tries to get Lydia to say his name three times, without success.

The two characters then play charades so that Lydia can find out his name, which also makes for a comedic sceneWith beetlejuice conjuring a bug and a carton of orange juice. It was a fun moment when Lydia and Beetlejuice met for the first time. It was also probably the moment that Beetlejuice started to fall for Lydia, because he realized that she was not like the other living people he remembered. Lydia, on the other hand, was fascinated by him but also realized that he was a degenerate.

13

“Never trust the living.”

Juno

When Adam and Barbara go to see their caseworker in the afterlife, Juno, she reprimands them for their recent decisions. Not only did the pair try to get help from Beetlejuice, but they also ended up being photographed by Lydia. They also allowed Otto to steal their copy of the Handbook for the recently deceasedWhich can cause big problems for the dead.

Confused about how Otho got their copy of the book, Juno explains, “Never trust the living.She was always quite open when she talked to Barbara and Adam, but most of the time, she was also right. It’s an interesting quote because it’s hard for Adam and Barbara to trust the dead, but when even the dead know you can’t trust regular people, it says a lot about the state of the world and could be another reason the couple May be happier because they are on the other side.

12

“Are you ‘Night of the Living Dead’ under there? Like, all bloody veins and puss?”

Lydia


Adam and Barbara disguised as ghosts in Beetlejuice.

Part of the charm of Beetlejuice Is the relationship between Adam, Barbara and Lydia. When Adam and Barbara first try to scare the Deetz family, they simply take some sheets and cover themselves to look like ghosts. Lydia is not afraid, remarking, “I’m not afraid of shit. Are you dirty under there? Are you ‘Night of the Living Dead’ under there? Like, all bloody veins and pus?

Not only did this reference George A. Romero’s Night of the Living DeadBut it was the first real interaction between the three that led to them working together later on to help with all their personal issues. This was also a great character building moment for Lydia. She was someone who was proud to be a Gothic girl, and she liked to play the role, even if it was only a phase at the time for her. However, her comments here show that most of her Goth sensibility came from watching movies.

11

“I’d rather talk about…day-o…day-o!”

Delia


Beetlejuice characters sing and dance to "Day-O" at dinner

Out of all the scenes in BeetlejuiceThe dinner scene with the Banana Boat song is possibly the most famous. It occurs when Charles invites his business associates for dinner. The topic of ghosts and the paranormal quickly comes up in conversation, with Lydia explaining that she has seen ghosts in their house. Delia wants to change the subject and says, “I’d rather talk about…day-o…day-o!”

Catherine O’Hara then lip-syncs these Banana Boat Song By Harry Belafonte As all the dinner members start dancing uncontrollably. The scene ends with their shrimp dinners turning into hands grabbing their faces before throwing them back. The fact that this is one of the most iconic moments in the entire first movie shows how huge of a scene it was. It starts in the middle of the conversation, which makes it even better when the family starts dancing while possessed.

10

“I’m funny and unusual.”

Lydia


Winona Ryder in a hat as Lydia in Beetlejuice

Lydia is a gothic teenager who enjoys photography and shows a special interest in the afterlife, ghosts and all things paranormal. It may be a phase, but the eccentric nature of her family may also have something to do with it. Needless to say, she is thrilled when she realizes her house has two ghosts living in it.

While he explains to Adam and Barbara how she is able to see them, she tells them that the Handbook for the recently deceased says that “Living people ignore the strange and unusual,“Further Revealing,”I myself am strange and unusual.This shows that she feels that no one sees her, and maybe her acting out and becoming darker and more goth-like is a way for her to see if anyone cares enough to notice what she’s doing. Adam and Barbara notice, as does Beetlejuice, while her own living family ignores her.

9

“Don’t think you. She’s still upset that someone dropped a house on her sister.

Auto


Otto Smiling in Beetlejuice

Before the infamous musical dinner sequence, the characters are engaged in conversation, while Otto is gloating about how much he knows about the paranormal.

Otto claims he was one of New York’s leading paranormal researchers. This prompts Beryl to say, “Paranormal, is that what they call your kind these days?“Auto responds quickly with the tag,”Don’t let her go. She is still upset that someone dropped a house on her sister.” Which is obviously a reference to The Wizard of Oz.

It’s a fun back-and-forth that shows Otto is not someone to mess with. Otto steals most of the scenes he appears in, and his cutie and sarcastic quips are a highlight, especially when he uses them in almost a form of self-defense. Of course, he’s also someone who’s a lot like Beetlejuice, a conman and salesman who wants people to think he’s more important than he really is. He meets his match with Beetlejuice though, in the end.

8

“Thanks, I was feeling a little flat!”

Way kill man

Since Barbara and Adam are having trouble adjusting to his death, they visit their caseworker named Juno. They enter a waiting room, where they meet several people who died in horrible ways. They see a smoker who is burned to a crisp, a hunter with a shrunken head, and even a woman cut completely in half. When it’s time to see Juno, they are called in by a man who looks like he was run over by a semi-truck, because he is completely flat.

Adam tells him that he looks good, to which the man responds, “Thanks, I felt a little flat.It seems that humor still exists in the afterlife. As with many of the people who died and waited, the main mode of joking is words, and Beetlejuice may be the master of these. However, the idea that someone who was killed in such a horrific manner could have a sense of humor about it while working in the waiting room in the afterlife is an impressive feat.

7

“A little gasoline…blowtorch…no problem!”

Delia

Catherine O’Hara’s character in Beetlejuice Is very over-dramatic and has a passion for modern art. Not caring what her husband or stepdaughter wants, Delia decides to completely redesign their new home. When they first arrive at the Maitlands’ home, Delia and Otto begin painting walls that need to be torn down, all while thinking of ways to “improve” the house.

At one point, Delia says that all she needs is “A little gasoline…blowtorch…no problem.The character is eccentric, to say the least, and this line is a prime example. Of course, it’s also a way to show Delia being facetious. Adam and Barbara worked hard to design their home the way they wanted it to look, like a quaint country home. Delia came in, looked around, and hated everything. You want to “strong it” and start over was her plan, and that made her someone Adam and Barbara wanted gone.

6

“The only one I think I can deal with is Edgar Allan Poe’s daughter. I think she understands me.”

Beetlejuice


Betelgeuse sitting on a tombstone in Beetlejuice

This particular quote betrays Beetlejuice’s trickery and penchant for lying to get what he wants—or to misdirect attention away from himself. Although the thought of Edgar Allan Poe’s daughter is possibly one of the few who could possibly understand this particular ghost, in fact, no such person was. In truth, Poe has no known children, legitimate or otherwise, although the possibility of the latter may still exist.

whatever the case, It’s obvious that Beetlejuice is only trying to be funny, as opposed to reality. At the same time, Beetlejuice is someone no one can trust. He betrays everyone who calls on him, and even as a con artist he can’t stop lying to everyone to get what he wants to enjoy. In this case, there are a lot of things that he is willing to say to get people on his side, even if it is lying about the love of a non-existent being.

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