Alien: Romulus It’s the last film in the long run Foreigner franchise, taking the series back to its roots and telling the story of a group of people trapped on a spaceship, trying to survive against a seemingly indestructible enemy. Romulo is one of the best-rated films in the franchise, and its box office success led to the confirmation of a Alien: Romulus sequence. The franchise has had its ups and downs, and hopefully the latest entry can serve as a model for how to keep the franchise fresh.
Although the film is not perfect, Romulo features some very interesting and unique creative choices that could influence future installments in the franchise, especially in how the film uses the titular aliens. With the franchise being over 50 years old, there needs to be constant evolution to keep films from feeling stale, and thankfully the latest film has provided a perfect template for Alien: Romulusthe following sequence.
Alien: Romulus Sequel Needs More Interesting and Creative Monsters as Offspring
The film franchise needs to continue to evolve
One of the biggest hits Alien: Romulus was the Offspring, a new type of Alien that was created from black goo that first appeared in Prometheus. The creature’s revelation was a big surprise, as Romulo was made to emulate the original Foreignerwhich features only one Xenomorph, but In the end, the film came out of left field with this crazy amalgam of human, Xenomorph and Engineer, alongside several traditional xenos. The Offspring also appear after the survivors escape the Renaissance and the threat is seemingly neutralized, adding to the shock factor of the creature’s appearance.
Apart from the excellent design of the Offspring in Foreigner: Romulothe creature works because it is different from what has come before. Foreigner It’s a long-running franchise, and while many of the films are great, many of them follow the same basic story structure, which can make them feel very similar. The Offspring is a great symbol of the series’ willingness to experiment with creatures outside of the classic Xenomorphs, and the franchise needs to keep it that way if it wants to avoid feeling boring.
Alien: Romulus sequel could be inspired by aliens
The original Foreigner remains one of the best Foreigner films, largely because, when compared to most of the other properties in the franchise, it’s quite simple and straightforward, telling the story of Ripley and her crew trying to survive an alien attack. However, the sequence, aliens, was released a few years later and introduced a ton of new stories and monsters, specifically the Xenomorph Queen, greatly expanding what was possible in the universe. If Romulo and Foreignerso your sequence should be inspired by Aliensand expand everything configured in Romuloincluding offspring.
Foreigner Film |
Year |
---|---|
Foreigner |
1979 |
Aliens |
1986 |
Alien 3 |
1992 |
Alien Resurrection |
1997 |
Prometheus |
2012 |
Alien: Alliance |
2017 |
Alien: Romulus |
2024 |
This can take many forms, and with how Romulo configure Offspring, anything is possible. The black goo turned a human baby into something completely different from a Xenomorph, so it could probably infect a number of things, and there’s still plenty of it on Rain and Andy’s ship. There could be more hybrid creatures created from interacting with full Xenomorphs, or perhaps, to take the reference all the way, there could be some sort of Queen/Offspring Xenomorph hybrid. The possibilities are endless and Alien: Romulus‘the sequel has a lot of tools to capitalize on them.
Alien: Romulus is the seventh film in the Alien franchise. The film is directed by Fede Álvarez and will focus on a new group of young characters who encounter the terrifying Xenomorphs. Alien: Romulus is an independent film and takes place in a time not yet explored in the Alien franchise.
- Director
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Fede Álvarez
- Studio(s)
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Scott Free Productions, 20th century
- Cast
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Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Spike Fearn, Aileen Wu, Rosie Ede, Soma Simon, Bence Okeke, Viktor Orizu, Robert Bobroczkyi, Trevor Newlin, Annemarie Griggs, Daniel Betts