Summary
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Choosing a youthful cast in Alien: Romulus pays off, with relatable and self-aware characters explaining poor decisions.
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The film resonates with both old and new fans by injecting vitality and fresh perspectives into the classic Alien formula.
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Fede Álvarez successfully navigates the pitfalls of unrealistic character choices to create a story that thrives with a younger cast.
Warning: Contains spoilers for Alien: RomulusOne hurdle for Fede Álvarez in his addition to a troubled franchise, Alien: Romuluswas Appealing to old and new audiences. Having a young cast that made sense in the story was a great move. However, while Álvarez has found a way to make youthful protagonists thrive, providing a believable explanation for some of the irrational decision-making that plagues many otherwise believable horror movies, this has not always been the case for the Alien Franchise.
Given that Alien: Romulus is an interquel set between Alien And AliensOpting for a raw and youthful cast was a big risk for Álvarez’s movie. In many cases, Audiences who prefer the original movies often cite the characters’ ageism and realistic responses to adversityAs well as crew members who feel as weathered and haunted as the spaceships they inhabit. The risks of replacing realistic protagonists with reactionary and often stupid horror archetypes can be seen throughout the franchise, including in the worst installments. Putting this demographic front and center and turning it to work in the film’s favor is nothing short of genius.
Related
Reactions to young characters in foreign films have historically not been good
Much of the horror in the Alien Franchise reflects human vulnerability when confronted with the incomprehensible. The series has a variety of experience levels and backgrounds throughout – from the Nostromo’s crew in Alien To the prisoners and guards on Fiorina 161 in Alien 3. The breadth presents contrasting characters and choices in the face of primal fear. That being said, audiences are frustrated when Characters make needlessly stupid decisions. This was done to create more of a slasher movie feel, as with Aliens vs. Predator: RequiemWhich is set on Earth and features mostly teen citizens.
It goes beyond demographics – even into Prometheus And foreign: bond, Audience frustrations come down to crew incompetence. Despite the questionable merits of the AvP films, Alien vs. Predator Got a few things right, one of them being Lex Woods who makes a strong point about anyone wandering off on their own. Although I’m in the faction of viewers who like the prequels, I can’t deny that the crew in the prequel duology don’t get enough character development for their poor decision-making to be anything but frustrating, including separating and going off on their own. Against protocol – a vastly overplayed trope.
Alien: Romulus does a younger throw right this time The self-referential dialogue is what makes the trophy moments wink at the audience.
With these gripes in mind, I have my reservations about a younger cast Foreign: romulus, But Fede Álvarez, a master of suspense, pulled it off. Something that the films in the original series do really well is bad self-awareness. in Alien 3When Aaron says, “The whole place is a cellar,” Ripley replies, “It’s a metaphor.” The self-referential dialogue is what makes the trophy moments wink at the audience. in Alien: Romulus, It is similarly self-aware humor. When Taylor demonstrates the F44AA pulse rifle to Rain, she asks him, “Where did you learn all that?” – he answers, “Erm, games and magazines.”
It got a big laugh at the screening I went to and I think it’s a brilliant moment – it Makes the characters more relatableCut through the performance. I also found it refreshing that without the power structure of a formal crew, it gets straight to the heart of moral choices and the merits of both humans and synths on the tough calls. The survival instincts also make more sense – at several points in the movie, the characters try to stick together or reunite with their friends, despite the trolley dilemma decisions of Andy and Rook, which resembles Ash in Alien.
By sidestepping the pitfalls of previous attempts to appeal to a teenage demographic, Álvarez has crafted a film that Resonates with both longtime fans and newcomers. The relatable struggles and youthful energy of the characters inject vitality into the Alien: Romulus history, while their vulnerability and moral dilemmas offer a fresh perspective on the classic Alien Formula. By embracing the trope of inexperienced characters and turning it on its head with clever dialogue and character development, Alien: Romulus Demonstrates that sometimes, a younger cast is just what a franchise needs to thrive.
- Director
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Fede Alvarez
- Writers
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Fede Alvarez, Rodo Sayagues, Dan O’Bannon, Ronald Shusett
- Figure
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Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Spike Fearn, Aileen Wu, Rosie Ede, Soma Simon, Bence Okeke, Viktor Orizu, Robert Bobroczkyi, Trevor Newlin, Annemarie Griggs, Daniel Betts