Jackie Chan's 7 Fantasy Kung Fu Movies, Ranked From Worst To Best

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Jackie Chan's 7 Fantasy Kung Fu Movies, Ranked From Worst To Best

When it comes to Jackie Chan fantasy films, the varied results can be as unpredictable as the stunts the martial arts sensation is famous for. From animated epics to martial arts-infused mythological adventures, Chan has tried his hand at a variety of projects over the years, from cult classics to box office fighters. Whether he's wielding legendary weapons, fighting CGI monsters, or performing physical stunts that only Jackie Chan can do, the actor's adventures into the fantastical realm often integrate traditional fighting methods with over-the-top Hollywood-style storytelling.

Some moments deliver memorable action and imaginative worlds, while others stumble through a chaotic tapestry of plots as well as struggle to balance action and narrative. Chan's journey is a whirlwind of quirky charm, daring action, and pure chaos. Whether soaring high with martial arts magic or failing somewhere along the way, the biggest Kung Fu movie star of all time has never failed to provide at least new content, decade after decade.

7

Iron Mask

(2019)

Iron Mask characteristics an interesting meeting between Jackie Chan and Arnold Schwarzenegger. The plot's confusion stems from multiple rewrites, which is understandable but still extremely disappointing considering the film's prestigious cast. Iron Mask it never reaches the heights it hopes for, with an unsatisfying plot and half-baked action sequences. Despite a star-studded cast, this film struggles to make an impact outside of its niche appeal.

An excessive reliance on spectacle at the expense of substance further dampens the impact of Iron Maskwith grand sets and mystical creatures portraying themselves as visually impressive but ultimately failing to offer any of the emotional depth or substantial narrative required to make this film engaging. The lack of coherence in the plot leaves little room for character developmentmaking it difficult for the public to become emotionally involved.

General, Iron Mask it didn't quite become the blockbuster it was supposed to be. It failed to capitalize on Chan and Schwarzenegger, and while it was praised by some, the overuse of CGI made everything feel more contrived than exciting. Ultimately, the film finds its place more as a curiosity than a true fantasy classic, offering fans a glimpse of what could have been.

Jackie Chan teamed up with Arnold Schwarzenegger for the first time since Around the world in 80 days (2004) in this fantasy and adventure film. The on-screen fight at the Tower of London is a highlight, combining Chan's signature martial arts choreography with Schwarzenegger's brute strength and comedic timing.

6

Fantasy Mission Force

(1983)

Jackie Chan stars alongside an eclectic cast of characters in Fantasy Mission Forcewith the plot revolving around a cocky rescue mission that, unsurprisingly, turns into madness. The abrupt pacing and bizarre narrative make this film a '90s cult classic, though it's hardly one of Chan's most impressive works. However, an unpredictable energy and low-budget charm certainly won Fantasy Mission Force a peculiar corner in the hearts of Jackie Chan fans.

Fantasy Mission Force is a true product of its time, adopting the anything-goes approach typical of 1980s action films. The incoherent plot and offbeat style of humor may leave viewers confused, but these factors also contribute to the film's overall charm, making it an intriguing member of Chan's extensive catalogue.

While it's far from the highest point of the Action Comedy King's career, Fantasy Mission Force still managed to gain a small but robust number of followers. His reputation thrives on outlandish antics, outrageous actions, and scenes that can only be described as so bad they're good. For those who want to delve into Jackie Chan's more obscure works, this is a fun but disconcerting tour. Although it is a charming cult classic, Fantasy Mission Force it's certainly not a prominent cinematic artifact.

Fantasy Mission Force and one of Jackie Chan's most peculiar films, mixing martial arts with absurd humor and a mix of genres. Despite being marketed as a Jackie Chan film, he only plays a supporting role, with his scenes inserted to capitalize on his growing fame at the time.

5

The Shadow Knight: Between Yin and Yang

(2019)

In The Shadow Knight: Between Yin and YangJackie Chan stars as a demon hunter caught between the worlds of the living and the supernatural. The film relies heavily on fantasy elements, mixing martial arts with mystical creatures and elaborate settings. Unfortunately, despite his visual talent, the story feels disjointed, with a heavy reliance on special effects and a somewhat confusing narrative that just doesn't hit the mark.

Although visually stunning in parts, The Shadow Knight fails to capture the wider attention of the international public. It has a balanced mix of action, fantasy and folklore, but ultimately remains somewhat under the radar. Beyond the few fleeting and enjoyable minutes, the film struggles mightily to find a lasting place in Chan's legacy.

4

The medallion

(2003)

In The medallionJackie Chan plays a Hong Kong police officer who is resurrected with extraordinary powers after a near-death experience. The film mixes action, humor and a bit of fantasy, but despite a solid effort, it fails in execution. The plot is predictable and, once again, the reliance on special effects seems more distracting than exciting. While there's no shortage of fight scenes, every moment doesn't reach the level of creativity and enthusiasm that Chan is known and loved for.

Despite a fun premise, The medallion It didn’t make much of an impact on the public. It performed moderately at the box office and received mixed reviews. It's a forgettable entry in Chan's seemingly endless catalog, offering an overly formulaic mix of action and unwhimsical fantasy elements that struggle to stand out. The medallion remains a niche curiositybut it doesn't have any lasting appeal to really leave a lasting mark on Chan's career.

3

The Myth

(2005)

In The MythJackie Chan plays an archaeologist who uncovers ancient secrets about a long-lost love. This film combines action with elements of historical fantasy, carefully blending past and present with visually appealing scenery and impressive stunts. Despite this newness, the film's tone can still feel woefully uneven at times, occasionally alternating between serious adventure and lighthearted comedy.

Despite its mixed reception, The Myth is a staple Chan film for fans, especially those who enjoy his fantasy films. It didn't become a huge international success, but it has a certain charm, especially in its ambitious premise. It's a fascinating look at Chan's experimentation with more dramatic mythological themes while also delivering ambitious action. Although not a great success, The Myth maintains its place as a fun and ambitious adventure.

2

Monkey King: The hero is back

(2015)

Monkey King: The hero is back is an animated hit that reimagines the legendary journey of the Monkey King, a beloved figure from Chinese folklore. This vibrant, family-friendly adventure features stunning animation and a moving story of redemption. Asa strong emotional core and engaging action sequences allowed The hero is back to achieve significant success in China, where it unsurprisingly became one of the highest-grossing animated films of all time.

The Monkey King is usually portrayed as a rebellious trickster, but this film focuses more on his redemption arc. Portrayed as a relatable and vulnerable character, the King's changing personality offers a deeply emotional connection, especially for younger audiences who may not be familiar with traditional Chinese mythology. The film's high-quality animation, which includes fluid fight sequences and visually striking landscapes, elevates it even further into the world of fantasy, making it The hero is back not just a retelling of an ancient story, but a a captivating re-imagining that brings a new sense of life to ancient mythology.

This lively gem touched the audience, becoming a standout moment in Chan's filmography, despite him not playing the lead role. Not only did it introduce the story of the Monkey King to younger generations, it also reinvigorated public interest in Chinese mythology in general. Both a movie and a video game, Monkey King: The hero is back, stands out as one of Chan's most universally praised entries, showing how the power of animation can bring fantasy to life in a new and exciting way.

1

The Forbidden Kingdom

(2008)

The Forbidden Kingdom is a dream collaboration for martial arts fans, bringing together Jackie Chan and Jet Li in a fantasy epic filled with showdowns, mystical elements and a time travel plot. This film gained a lot of attention for its star-studded cast and adventurous premise, making it one of the most popular films in Chan's catalogue.

The long-awaited on-screen collaboration of the two most iconic martial artists in film history was truly a dream come true for fans, with each actor bringing their unique style to the table. Chan, known for his blend of martial arts and physical comedy, complements Li's more traditional approach, creating a perfect balance of contrasting styles. Epic fight scenes offer a rare treat that not only delivers action but also plays with contrasting martial arts philosophies. This unique combination of talents adds an unforgettable layer to the film's charm.

With a mix of spectacular choreography and extravagant world-building, The Forbidden Kingdom remains tried and true as one of Chan's most successful fantasy ventures. Not only did it capitalize on Chan and Li's union - it wholeheartedly captured the attention of international audiences, cementing it as a fan favorite in the martial arts fantasy genre.

Jackie Chan and Jet Li had a legendary fight together, although their training and approaches were very different. Their collaboration was a significant highlight of the film, as it was the first time the two martial arts legends shared the screen in a fight sequence.