Humphrey Bogart parodied one of his greatest movies in this underrated 1953 film

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Humphrey Bogart parodied one of his greatest movies in this underrated 1953 film

12 years after his role as Sam Spade in The Maltese FalconHumphrey Bogart stared in beat the devil, An underrated parody of the 1941 classic. Directed by John Huston, The Maltese Falcon Has a well-earned reputation as one of Humphrey Bogart’s best movies. It is probably his second best known film, behind Casablanca. It was also one of the movies that helped make the actor a household name in Hollywood, as many of Bogart’s movies in the 1930s actually contributed little to his recognition in the industry.

A great example of the film noir genre, The Maltese Falcon Famous saw Bogart’s interpretation of the Sam Spade character investigate the death of his partner in the private detective business and get embroiled in the search for a highly coveted bird statue. The murder mystery culminated in an ending quite different from that of most Hollywood films at the time, as it implicated Mary Astor’s Brigid O’Shaughnessy, Spade’s love interest, in the murder. However, it did not close the book on Sam Spade’s story, as a sequel has already been made. But Bogart never returned to the role. However, he headlined a film with some very intentional similarities to The Maltese Falcon.

About what Beat the Devil is

Its history is very different from the Maltese Falcon


Humphrey Bogart and Jennifer Jones in Beat the Devil

The Maltese Falcon Connections to Beat the devil Start with the cast and crew. Both were directed by John Huston and featured Humphrey Bogart as the male lead. Peter Lorre, a frequent presence in Humphrey Bogart’s film noir movies and the actor who played Joel Cairo in The Maltese FalconAppears in Beat the devil As well, once again in a supporting role. In the movie, Bogart portrays Billy Danreuter, a once successful businessman struggling to make a living. Toward the end, he becomes involved with a small crew of unscrupulous characters, all of whom are untrustworthy, but each is crucial to their get-rich scheme.

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The narrative it follows is admittedly significantly different from The Maltese Falcon. Although hardly a squeaky-clean protagonist, Sam Spade is a hero nonetheless, whereas His character in Beat the devil is an active participant in a criminal plot Put on a ship. But although this is the case, Beat the devil Still manages to make Bogart the protagonist, the character trying to unravel the mysteries of the story. Because just like The Maltese FalconA murder sparks his suspicions of several key characters. Almost every member of Beat the devil Cast has a backstory, motivations, and perhaps a reason to backstab the other.

How to beat the devil parodies the Maltese Falcon

Beat the Devil humorously spoofs several elements of The Maltese Falcon

Despite the differences in history, Beat the devil Contains some interesting parallels to The Maltese Falcon What goes beyond the actors and director. Beat the devil Uses some of the character archetypes and story tropes found in The Maltese Falcon, But employs a much more over-the-top approach. This allows it to come across as a comedic take on both The Maltese Falcon And film noir in general. In contrast to The Maltese Falcon and countless other film noirs like it, Beat the devil Try not to take yourself seriously As it gradually unravels its mysteries and develops its character.

One example of this is the partnership between Peter Lorre’s Julius O’Hara and Robert Morley’s Peterson. The shadowy duo is reminiscent of a previous pairing in several other film noir movies, namely Peter Lorre and Sydney Greenstreet. The two served as antagonists to Sam Spade in The Maltese Falconwith Beat the devil Appearing to take inspiration from their roles, though with Morley replacing Greenstreet. In both movies, Lorre is the expendable pawn of his more calculating and evil associates.

what’s more, Bogart himself appears The Maltese Falcon in Beat the devil. With Billy, Bogart captures some of the same quirks that made Sam Spade and some of his other characters staples of the film noir genre, but Willy depicts them in a more satirical manner.

There is also the dynamic between Bogart and one of the two female leads, Jennifer Jones’ wife Gwendolen Helm. In a way that feels like a tribute to Mary Astor’s character in The Maltese FalconGwendolen is initially portrayed as a seemingly innocent (but married) woman who falls in love with Bogart’s protagonist, but there is a vague idea that her interest in him hides something nefarious.

Beat the Devil is worth watching, but it’s not as good as The Maltese Falcon

There’s a lot to like about Beat The Devil


Humphrey Bogart in Beat the Devil

As evidenced by its lack of Academy Award consideration and 68% Rotten tomatoes calculation, Beat the devil Is hardly the cinematic icon that The Maltese Falcon Is. That’s not necessarily a knock on the film, though, considering that The Maltese Falcon is recognized as one of the best films of its kind, not to mention how significant it is to Humphrey Bogart’s legacy in Hollywood. Of course, Beat the devil is unable to live up to that standard, and is not even among Bogart’s best work. But, still, it still manages to entertain.

After all, it is important to do that Beat the devil Only exists as a film noir spoof; It never attempts to recreate the magic of The Maltese FalconAnd it does not try to function as a solid entry in the genre. That said, knowledge of film noir – specifically ones with Humphrey Bogart, included The Maltese Falcon – Go a long way to make Beat the devil An even more worthwhile viewing experience. His film noir caricatures land better when the viewer already has an understanding of its roots and what came before. Plus, there’s the matter of Humphrey Bogart’s penchant for one-liners; His dry humor and no-nonsense attitude lend themselves well to each other Beat the devil Script.

That said, humor isn’t the only thing that matters Beat the devil A quality Humphrey Bogart movie. Its characters are intriguing enough to carry a movie, Bogart shines as usual, and it offers plenty of memorable quotes, mainly from its headline attraction. Not only that, but its story and tone contrast wildly with many films of the period, not to mention all the other Humphrey Bogart movies. The twists can be predictable since they copy beats from the best of the film noir genre, but thanks to its comedic flair and witty dialogue, there’s a lot to appreciate about. Beat the devil.

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