The Chronicles of Narnia Reboot by Greta Gerwig must avoid a problem that really hurts the attempts of Disney movies to adapt the source material. Despite updates on Gerwig Chronicles of Narnia Being mostly kept under wraps, many have speculated that Netflix and Gerwig will make big changes to avoid the mistakes of the last two films, Prince Caspian And Journey of the Dawn Treader, Made. That said, the first film also had its issues, especially when it came to comparing it to the source material.
When reading these Chronicles of Narnia books, audiences will find that many creative liberties have been taken in the onscreen adaptations, even in the first movie. Although this is a normal part of the adaptation process, in the case of chronicles of narnia, These changes turn the story into something it is notWith this disconnect continue to grow in each film. Gerwig Chronicles of Narnia Movies must avoid repeating the same mistakes the original trilogy did, especially in regards to doing.
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Greta Gerwig’s Chronicles of Narnia movies should not change the tone of the books
The original CS Lewis book had a more hopeful tone
Gerwig Chronicles of Narnia Movies should keep the hopeful tone of the books rather than shifting it like the original film series. In the novel series, the tone of the books stays largely consistent, unlike other fantasy stories. Each story has a strong hopeful tone despite some darker moments as wellHow many times the characters are either visiting Narnia for the first time or discovering new parts of the land. This tone also adds to the messages of the books, which largely focus on themes of self-empowerment, belief, and morality.
These films, in contrast, attempt to make the story closer to an epic fantasy than a coming of age narrativeDamaging the connection of the adaptation to the books. Each movie is filled with fights, mysteries and danger, which makes the story exciting at the cost of its original identity. By adding in more action and darker elements to make Narnia more dangerous, the films strayed away from the source material’s focus on imparting a message, something from Gerwig. Chronicles of Narnia Movies must fix. This tone shift makes the films something they, ultimately, are not, costing the initial adaptations in history.
Disney’s Narnia movies tried too hard to be something the books weren’t
The Narnia movies borrowed elements from other fantasy staples
Disney’s Chronicles of Narnia Movies borrow many elements and tropes from other fantasy stories, turning the films into something the books are not. As mentioned, the darker elements of the original film trilogy make it closer to an epic fantasy. The story is similar to Tolkien’s Lord of the Rings Where the protagonists find both friends and enemies during an epic adventure to stop some sort of dictator. However, these Chronicles of Narnia Books are more aligned with a classic fairy tale, which makes the tone shift off-putting for audiences who read the Lewis novels.
Although the first book in the Chronicles of Narnia Series has some aspects of Arthurian legend, the series as a whole is largely told in terms of a fairy tale. Some of these elements are still in the films, such as the White Witch, but the fairy tale core is still ignored. An epic fantasy focuses on the adventure and world-building whereas a fairy tale focuses on the lesson being learned. Gerwig Chronicles of Narnia Can work this fairy tale back into history while still modernizing it, balancing the expectations of two different audiences.
How Greta Gerwig’s Netflix reboot can strike the right balance
Gerwig’s reboot can keep the original tone while updating the character stories
In order to strike the right balance, Gerwig’s Chronicles of Narnia Reboot will need to bring back the original tone, but can also update the stories of some characters that have a little focus through the tone. In restoring the tone of Lewis’s books, the Netflix reboot would be able to play more into fairytale tropes, keeping audiences engaged. Many who grew up with the films will expect something closer to these, so adding these new elements would not only make the remake more faithful to the source, but keep the audience on their toes when new stories emerge.
Susan Pevensie’s story in the Narnia Remakes, for example, could take from more modern fairy tale adaptations that focus on themes of feminism and independence, setting her story several years later.
In the same way, updating some of the stories of the original books with this tone can keep the story fresh While still sticking to the source material. Susan Pevensie’s story in the Narnia Remakes, for example, could take from more modern fairy tale adaptations that focus on themes of feminism and independence, setting her story several years later. This balance would allow Gerwig’s The Chronicles of Narnia To honor the books and restore their identity while still doing one of the main functions of an adaptation: build on and improve the story.