Every horror movie released by Neon, ranked

Neon has a reputation for producing uniquely constructed horror movies that have a gritty, offbeat feel. With a vast repertoire, Neon’s horror output covers a diverse range of sub-genres, including Sci-fi, body horror, psychological terror, folk horror, and horror satire. Founded in 2017 by Tom Quinn and Tim League, Neon has quickly become a household name in reliably high-caliber film production.

of the visceral body horror of Titan To the psychological fear in The lodge, Neon’s films consistently push the boundaries of conventional horror. Each film offers a fresh and often provocative take on the genre, whether it’s the social commentary woven into the dark satire of Bad hair Or the eerie, post-pandemic paranoia in in the ground. Neon’s commitment to innovative storytelling and striking visuals makes it a standout in the horror landscape, delivering films that are as intellectually stimulating as they are terrifying.

11

Bad Hair (2020)

Directed by Justin Simien

Bad hair is a conceptually bold neon production. With a 1989 background, Bad hair Follows a music television company executive assistant Anna (Elle Lorraine) as she rises through the ranks in a competitive and fast-paced media environment. When the new boss (Vanessa Williams) suggests a promotion for Anna, she implies that adjusting her hairstyle might allow her to move more quickly through the ranks, but Her new wife seems to possess an evil feeling…

with Supernatural and folklore elements Explored by Bad hairs witches and their mythology, Simien’s film is another interesting creepy neon production. While the absurdist anthropomorphized monster, which took possible inspiration from Peter Strickland’s equally weird 2018 film in clothPower Bad hair An effective horror satire with a socio-political background where black hair politics become the root of the film’s terror.

10

She Dies Tomorrow (2020)

Director: Amy Seimetz

Neon S She dies tomorrow Taps into a deep universal fear and sickens it significantly. Directed by Amy Seimetz, the film opens with Amy (Kate Lyn Sheil), who is inexplicably convinced that she will die the next day. Despite the fact that she has no real reason for this suspicion, her fervor is unshakable. What’s more disturbing is that her conviction becomes contagious, spreading among her friends and family like a virus.

She dies tomorrow Is different from pandemic horrors released before COVID-19. It’s a slow burn that eschews traditional horror thrills in favor of a more psychological approachforegrounding existential dread and contagious paranoia. Rather than relying on jump scares, the film delves into the terrifying psychological landscape of its characters, exploring how fear can become a self-fulfilling prophecy of self-destruction.

9

Longlegs (2024)

Directed by Oz Perkins

Neon’s latest horror contribution, Long legs Go FBI Agent Lee Harker (Maika Monroe) who is thrust into the dark world of an unsolved serial killer case. In his fourth directorial credit, Perkins has taken unmistakable influence from serial killer investigation horror films such as Se7en, silence of the lambs, And even Zodiac. The unnerving Nicolas Cage horror movie makes great use of sound and empty space, deftly negotiating the implication of danger.

The first two-thirds of the film are really exciting, attracting the audience with a captivating story and a sad atmosphere. unfortunately, Long legs stumbles in its final act, with a twist that disrupts the film’s momentum and leaves a somewhat underwhelming conclusion. Despite this, the film excels in its MS and scene. The cinematography, with lower tilted angles and wide shots, brilliantly enhances the sense of looming threat, making it A solid addition to Neon’s horror library.

8

The Lodge (2019)

Directed by Veronica Franz and Severin Fiala

The lodgeDirected by Veronica Franz and Severin Fiala, concerns siblings Aidan (Jaeden Martell) and Mia (Lia McHugh) during a Christmas getaway with their journalist father Richard (Richard Armitage) and new girlfriend Grace (Riley Keough). The isolated titular lodge is a fantastically ominous setting for the film’s events.

Franz and Fiala’s second-to-last release highlights their continued interest in The complexities of family relationships and psychological traumaShare echoes of their previous film, Good night mommy. While it does not quite reach the same heights as Good night mommyIt still delivers a gripping and more existentially terrifying horror experience.

With twists and turns that keep viewers on edge, The lodgeThe unsettling atmosphere and psychological tension build tension beautifully, although it is not without a few plot holes that may leave some viewers questioning the story’s logic. Despite its shortcomings, The lodge is a haunting exploration of isolation and paranoiaMaking it a notable entry in Neon’s productions. The chilling performances and eerie setting ensure that it remains a memorable, if imperfect, psychological horror.

7

Little Monsters (2019)

Directed by Abe Forsythe

Little monsters is a film that balances the tricky combination of comedy and horror, delivering a very tongue-in-cheek and deeply meta-theatrical experience. As one of the most challenging sub-genres to nail, This horror comedy hybrid is a bold and entertaining entry in Neon’s catalog.

Forsythe’s film follows Dave – a washed-up musician recovering from a recent breakup – who sets his sights on his nephew’s teacher, Miss Caroline (Lupita Nyong’o). But his plans to impress and pursue her are thwarted by a zombie invasion. Nyong’o shines as Miss Caroline, bringing both charisma and wit to her role, and as far as comedy horror, Little monsters Succeeds in combining these seemingly antithetical genres into a seamless and enjoyable movie.

6

in the ground (2021)

Directed by Ben Wheatley

Ben Wheatley S in the ground is a fantastically crafted folk horror by the sub-genre maestro. In a post-Covid landscape, Wheatley masterfully blends ecological and folkloric horrorCreating a timely and eerie atmosphere that captures the zeitgeist of post-pandemic paranoia.

One of the few folk-based films in Neon’s repertoire, in the earth, A trippy, unsettling horror, follows a scientist (Joel Fry) and a park scout (Ellora Torchia) as they venture into the woods to conduct research on the soil during a global pandemic. Unknown to them, a darker and more powerful presence lurks in the forest. Post A field in EnglandWheatley’s innovative take on folk horror introduces an occult, mythological airborne entity that shatters the fabric of reality, making for a haunting and affecting experience.

5

Infinity Pool (2023)

Directed by Brandon Cronenberg

Infinity pool is an excellently crafted sci-fi trip that offers a scathing critique of the bourgeoisie. The story follows author James Foster (Alexander Skarsgård), who is struggling with writer’s block and looking for inspiration while on vacation. His partner, Em (Cleopatra Coleman), tries to support him despite six years since his last publication.

Their mundane resort stay takes a dark turn when they meet Gabi (Mia Goth) and her partner Alban (Jalil Lespert). Gabi, a fan of James’ work, seduces him to break the strict rules of the resort by venturing outside its grounds, finally unraveling the world as they know it. Cronenberg constantly twists the narrative, plays with the expectations of the audience and poses deep questions about privilege.

Infinity pool Explore the disturbing extent to which the wealthy can avoid consequences, making it a thought-provoking, sardonic, and unsettling experience. Infinity pool Masterly toys with the concept of the rich can buy their way out of any troubleDelivering a powerful and unsettling message in a visually sumptuous and graphic aesthetic.

4

Crimes of the Future (2022)

Directed by David Cronenberg

Crimes of the futureA true gem among Neon’s horror catalog, immerses us in a world where human functions such as digestion, pain and sexual desire have been grotesquely altered. Directed by body horror master David Cronenberg, the film takes us on a sci-fi journey into a twisted future With dark, sexual overtones.

Starring Viggo Mortensen, Léa Seydoux and Kristen Stewart, the performances are haunting and intense. Cronenberg crafts a film filled with fear and unsettling images, criticizing our growing desensitization while exploring the lengths artists and audiences will go to a shocking spectacle.

3

Revenge (2017)

Directed by Coralie Fargeat

Revenge Stands out firmly in Neon’s credits, masterfully combining The rape-revenge subgenre With body horror and showcasing the monstrous female with a deeply satisfying political overtone. The film follows Jen (Matilda Lutz), who is attacked and left for dead by a group of people during a desert getaway. Against all odds, she survives and turns into an avenger of nature.

Body horror elements portray Jen’s rebirth through her wounds and scars, and unlike many rape-revenge films that exploit female suffering, Revenge puts agency firmly in Jen’s hands, portraying her as a relentless avenger who reclaims her autonomy. Revenge is a great neon horror film with its gripping narrative, stunning visuals, and deep thematic depth that makes a powerful statement about resilience and justice.

2

Titan (2021)

Directed by Julia Ducournau

Titan stands as a testament to Ducournau’s brilliance in body horror. After her acclaimed film RoyThis neon production is remarkably unique and continues to push the boundaries of horror cinema. Titan tells the story of Alexia (Agah Russell), A woman with a titanium plate in her head due to a childhood car accident. Ducournau uses the clear-cut body horror exploits of her previous film to undermine the expectations of viewers experiencing her second directorial piece – Titan Blends visceral body horror with intense emotional depth, exploring themes of identity and transformation.

Agathe Rousselle is captivating as Alexia, seamlessly shifting between identities while remaining enigmatic as the film’s protagonist. Vincent Lyndon also delivers a fantastic performance, portraying a tough but deeply vulnerable figure. Titan is not only A visual feast, using vibrant colors, dynamic camera work and striking compositionsBut the sound design and score further enhance its uneasy atmosphere and, at times, act to incorporate a farcical tone to some scenes. Ducournau’s Palme d’Or-winning film solidifies her position as a master of contemporary horror and continues Neon’s tradition of producing groundbreaking cinema.

1

Master (2020)

Directed by Brandon Cronenberg,

With Andrea Riseborough and Sean Bean, Owner is a disturbingly sharp and visually striking film that Pushes the boundaries of sci-fi horror in Neon’s catalog and beyond. Tasya Vos, a high-level assassin for a sophisticated corporation, uses brain implant technology to possess other people’s bodies and carry out assassinations of problematic public figures. In illustrating how possession works, Cronenberg delves deeply into existential questions about identity, particularly the nature of the self and how it can be fragmented or altered.

These themes are explored with chilling effectiveness, creating a unique sci-fi concept that results in a provocative examination of identity and violence. At the heart of the film is a theory about its conclusion: the protagonist can access memories tied to objects but loses the emotional connections to those memories with each assignment. The way she slowly loses attachment to and connection with her memories and emotions raises intriguing questions about her identity—whether she’s diluting her true self, adopting new personas, or both.

The concept raises philosophical questions that remind Blade Runners replicants, ask what makes an individual, human. Ultimately, it reinforces the film’s exploration of identity, perception and impersonation, showcasing Cronenberg’s ability to create a deeply disturbing yet intellectually stimulating experience that remains resonant far beyond the film’s conclusion.