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Actor and director Clint Eastwood is so commonly associated with Westerns that it may be a surprise to learn that his favorite movie is not a Western. Although Eastwood's first film role was an uncredited appearance in a monster movie. Creature's Revengehe had a career break in a Western TV series Rawhide. Since then, Eastwood has regularly appeared in Westerns, including A Fistful of Dollars And The Good, the Bad and the Ugly. However, Eastwood's directorial debut was also not a western, but a sensational psychological thriller. Play Misty for me in which he also starred.
Eastwood directed and starred in many of his films, which often received critical acclaim, including Gran Torino, Million Dollar Baby And Unforgivenwhich brought him his first Oscar at the age of 62. Now Eastwood continues to work in the film industry even after many actors and directors retire, and only appears in films that he directs. Since Eastwood's favorite film is a satirical horror story centered on an aging Hollywood movie star, it's no surprise that his influence can be seen in both his work ethic and directorial style.
Clint Eastwood's favorite movie is Sunset Boulevard from the 1950s.
Eastwood to Play Character in Hypothetical Sunset Boulevard Remake
Sunset Boulevard is a film that explores the dark side of fame through the relationship between an aspiring screenwriter and fading silent film star Norma Desmond, who loses her grip on reality throughout the film. Sunset Boulevard often considered one of the defining films of the 1950s.and the iconic phrase of Norma"I'm ready for my close-up" is still mentioned. Although the film was released five years before Eastwood began his acting career, it left an impression on him. Sunset Boulevard is Eastwood's favorite film because director Billy Wilder combines classic and modern styles.
Eastwood has a sense of humor when it comes to aging in Hollywood.and he joked Esq magazine that he could play the Uber driver who tells his passengers,"Many years ago I acted in films." Esq suggested doing a remake Sunset Boulevardto which Eastwood replied: "Yes, that's right. Erich von StroheimLike Eastwood, Stroheim was a director and actor, and he plays Norma's ex-director and ex-husband-turned-butler. Although Eastwood may have directed his last film in the upcoming film. Juror #2 and I probably won't become a butler, Sunset BoulevardEastwood's cautionary tale and directing style almost certainly influenced Eastwood's filmmaking.
The influence of Sunset Boulevard can be seen in Clint Eastwood's filmmaking
Eastwood keeps his creative juices flowing with unusual filming techniques
Eastwood's directorial style is often restrained and minimalist.without many of the quick cuts that are often found in modern films. Eastwood relies on actors to hold the audience's attention rather than using a huge amount of editing techniques, and this method makes his films look like old classics such as Sunset Boulevard. Clint Eastwood's best films tend to be extremely character-driven and focus on the internal battles of the protagonists, who, like Norma, are often at war with themselves. Like Sunset Boulevardthere is no guaranteed happy ending, which is what makes director Eastwood's films both powerful and memorable.
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Norma lost her movie star status, and Sunset Boulevardending show her performance in front of an imaginary director and crew. Eastwood turns this image on its head by removing typical Hollywood stereotypes, for example by saying:action" or "cut" when he makes films. Eastwood's sets are famously quiet and relaxed.and he even films rehearsals to create a more organic atmosphere. This calmness presents an interesting contrast because Clint Eastwood films are usually gritty and intense, but as he admired Sunset BoulevardWhen you compare styles, perhaps his approach isn't all that surprising.
Source: Esq
Directed by Billy Wilder, Sunset Boulevard tells the story of a struggling screenwriter who becomes entangled with a faded silent film star yearning for a comeback. Starring William Holden and Gloria Swanson, the film explores themes of fame and fallacy during Hollywood's golden age. Released in 1950, the film is notable for its critique of the film industry and its dark, dramatic narrative.