Summary
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The Mouth of Sauron provides a glimpse into what del Toro’s unmade Hobbit movies might have been like.
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The character’s design shares similarities with del Toro’s signature monstrous creations.
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Del Toro’s practical effects and dark aesthetic could have dramatically changed the feel of the Hobbit films.
Guillermo del Toro’s relationship with The Hobbit is known, but while it is unlikely that audiences will ever get to see the legendary Mexican filmmaker’s interpretation of Middle-earth, one cut Lord of the Rings Character provides an unexpected window on the production. Del Toro was famously attached to direct The Hobbit Movies before deciding to step down. Although the movie itself was a huge financial success, there remains a sense of desperation among many fans about what exactly del Toro could have brought to the story.
Part of the reason del Toro’s departure continues to be mourned in many quarters to this day is that his movies have always had a distinctive aesthetic. Whether in fantasy epic like Pan’s Labyrinth Or comic book adaptations like Hellboy, del Toro builds worlds and creatures that blend beauty and horror in a way that is completely unique. The idea of ​​this fantasy unleashed on Tolkien’s universe remains a mouthwatering prospect. However, while del Toro’s Hobbit Kino will likely always remain tantalizingly out of reach, there is one surprising character who shines a light on what audiences may have missed.
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The Mouth of Sauron tastes like del Toro’s movie might have looked like
The character has much in common with the director’s other designs
Despite not being designed by Del Toro and being cut from the theatrical version of The Lord of the RingsThe evil Mouth of Sauron is perhaps the closest we’ll ever come to seeing Del Toro’s Hobbit On the big screen. Appearing just before the Battle of the Black Gate, The mouth is a servant of the Dark Lord Sent to treaty with Aragorn, Éomer, Gandalf, and others. Featured in The return of the king Extended Edition The Mouth of Sauron teases the bond with Frodo’s mithril vest, insinuating that he has been killed. This prompts an angry Aragorn to chop off his head, providing the trigger for the final battle in the trilogy.
Although Jackson’s Lord of the Rings Trilogy features many servants of Sauron, including orcs, ringwraiths and other evil entities, none as distinctive as the Mouth. With gaping teeth, hooded eyes, and unnerving, juddering movement, he is unlike any of the other monsters that appear on the screen. Despite being cut from the final film, He remains one of the most distinctive and memorable evil creatures in the entire trilogy. More than that, however, the Mouth of Sauron bears remarkable similarities to many of Del Toro’s most famous monstrous creations.
… the mouth reminiscent of figures like the Angel of Death in Hellboy II: The Golden ArmyOr even the terrifying pale man of Pan’s Labyrinth.
With its hideous tooth grin and rotting, rotten flesh, the mouth is eerily reminiscent of figures such as the Angel of Death in Hellboy II: The Golden ArmyOr even the terrifying pale man of Pan’s Labyrinth. Although there is no explicit connection, the inspiration is evident to anyone with an appreciation for del Toro’s work. As a result, The Mouth of Sauron is the best example we have of how del Toro-like creatures might have looked in a Tolkienian contextProviding a fascinating insight into the unmade Hobbit Movies.
Del Toro’s monsters would be perfect for Middle-earth
The Mouth of Sauron proves that these concepts work
Although this scene was eventually omitted from the theatrical cut of The return of the kingThe amazing effectiveness of The Mouth of Sauron scene proves that del Toro-like monsters would be a natural fit in Middle-earth. Although he has dabbled in multiple genres, del Toro is best known as a fantasy filmmaker. His most successful projects, such as Pan’s LabyrinthMake full use of his ability to create intricately detailed and designed worlds populated by beautifully nightmarish creatures. It’s a strength perfectly suited to Tolkien’s stories.
In The Mouth of Sauron, it is possible to see how del Toro’s design sensibility (Experimenting with eyes, contorted mouths, and making full use of the physical talents of longtime collaborators like Doug Jones) could easily be applied to creatures like orcs and goblins. Given that Jackson himself altered many creature designs between installments, the potential inconsistencies that this approach would have created would also have been inconsequential. Since del Toro has a track record of creating evil monsters from scratch, he would undoubtedly be able to blend his signature style with one of the greatest fantasy settings of all time.
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How del Toro’s creatures would have changed The Hobbit
They can have a profound impact on the aesthetic
While seeing more del Toro-like creatures in Middle-earth might not have impacted the substance of the story, it would have had a dramatic effect on the feel of the movie. One result could have been to make the movies darker and scarier. While del Toro’s creations are always beautiful, they are often equally terrifyingDistorting familiar features in a way that can be genuinely unsettling. Such an approach can have a profound effect on a story that is often dismissed as childish The Lord of the Rings.
As a filmmaker, (del Toro) is notorious for his love of practical effects versus computer-generated, championing animatronics and puppetry, even when creating very ambitious monsters.
Another major difference would come from the way Del Toro achieves his vision. As a filmmaker, he is notorious for his love of practical effects versus computer-generated, championing animatronics and puppetry, even when creating very ambitious monsters. Such an approach would have produced very different versions of the classic Hobbit Creatures like Smaug and the spiders of Mirkwood. Without any hard evidence, it is difficult to compare. But, how The Lord of the Rings‘ Mouth of Sauron proves, the effect would probably have been amazing.