15 gangster movies that are so close to being perfect apart from one key flaw

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15 gangster movies that are so close to being perfect apart from one key flaw

Summary

  • Many gangster films fall just short of perfection due to critical flaws like casting decisions or abrupt endings.

  • Eastern Promises offers a powerful investigation of human trafficking but falls short with an unsatisfying conclusion.

  • The Irishman reunites Scorsese, De Niro and Pacino in a fantastic exploration of Frank Sheeran, but its prolonged runtime and CGI effects distract viewers.

While there have been countless fantastic Bandit movies Over the years, very few can claim the title of pure perfection and are often held back by one critical flaw. It could be a casting decision, an unnecessary subplot, or a bloated runtime, but there have been so many examples of movies that had perfection within their reach, only for it to be snatched away by one key issue. That doesn’t mean the movies aren’t great; It’s just that some issues could be improved for them to earn the title of genuine perfection.

Some of the best gangster movies ever made feel completely untouched, like films like the first two Godfather Films have consistently been part of the conversation surrounding the best movie ever, regardless of genre. Other releases had everything going for them, but it must be admitted that one aspect held them back from being the perfect version of their story. While some viewers believe that it is blasphemy to criticize some of these classic films, The beloved gangster movies were so close to being perfectIf not for one key flaw that held them back.

15

Eastern Promises (2007)

Directed by David Cronenberg

Director David Cronenberg added his unique voice to the gangster genre with his excellent story of the Russian mob. Eastern Promises. Through brutal realism and one of Viggo Mortensen’s greatest performances, this was a powerful investigation of human trafficking and excessive violence that packed a serious emotional punch. however, Eastern Promises also had a rather abrupt endWith much of the climactic action taking place offscreen. Unfortunately, this results in an almost perfect movie feeling somewhat incomplete, as viewers are left wanting more and with some unanswered questions.

14

Boyz N The Hood (1991)

Directed by John Singleton

Boyz n the Hood, directed by John Singleton, is a 1991 film set in South Central Los Angeles. It follows the lives of three young African-American men – Tre (Cuba Gooding Jr.), Doughboy (Ice Cube) and Ricky (Morris Chestnut) – as they navigate the challenges and pressures of growing up in an environment plagued by violence, gang cultural, and socio-economic hardships. The film explores themes of family, friendship and survival.

Director

John Singleton

Release date

July 12, 1991

Writers

John Singleton

Figure

Hudayl Al-Amir, Lloyd Avery II, Angela Bassett, Mia Bell, Lexi Bigham, Kenneth A. Brown

runtime

102 minutes

like John Singleton’s directorial debutThe first-time filmmaker knocked it out of the park with the strong social messaging seen in Boyz n the Hood. The urban crime drama shined a light on the violence of street life in disenfranchised African American communities, pioneering the hood film genre and influencing later classics like Training day. Boyz n the Hood was an incredible drama with amazing casting, including Laurence Fishburne, Cuba Gooding Jr., and Ice Cube, although its social commentary sometimes came at the expense of characterization and narrative depth, holding the film back from being perfect in all respects .

13

Snatch (2000)

Directed by Guy Ritchie

Nobody can make a British gangster film better than Guy Ritchie, whose unique sense of style and strong aesthetics resulted in crowd-pleasing crime movies with their own brand of humor. Snatch Was the perfect example of Richie’s talents as a small-time boxer, played by Jason Statham, found himself under the thumb of a ruthless gangster. But it was Brad Pitt as the Irish traveler Mickey O’Neill Who kept Snatch Back from perfection, because, despite giving a solid performance, his Irish accent was really terrible, and he came across as more of a parody character than a truly realized person.

12

The Godfather Part III

Directed by Francis Ford Coppola

With two perfect movies already made Godfather Series The most famous gangster franchise of all time, the release of The Godfather Part III Has a lot to live up to and unfortunately crumbled between the incredible expectations. Looking back, all the pieces of a great movie were there, but a rushed script, misguided casting and a lack of essential characters as Tom Hagen meant. The Godfather Part III Can’t live up to the previous two movies. The Godfather Part III s One fatal flaw was that it was made for financial reasons rather than the artistry that promoted the previous films.

11

Jackie Brown (1997)

Directed by Quentin Tarantino

Quentin Tarantino pays homage to 1970s blaxploitation cinema with his excellent crime movie Jackie Brown. As Pam Grier’s greatest performance, she played the titular flight attendant-turned-money-smuggler to perfection as Tarantino expands on his rich and highly stylized cinematic world. With sharp dialogue, a fantastic cast and a cool, laid-back style, Jackie Brown Has a slower pace than the rest of Tarantino’s work, and while that contributed to its unique feel, it also meant that it never felt quite as urgent as the best Tarantino movies.

10

American Gangster (2007)

Directed by Ridley Scott

American gangster Standing as one of Ridley Scott’s best movies, how the intense game of cat and mouse between acting legends Russell Crowe and Denzel Washington made for thrilling viewing. However, the attempt to balance Frank Lucas’ (Washington) crime story with Richie Roberts (Russell Crowe) made the film feel uneven as it tried to pack too much into an epic true crime story. As an engrossing and powerful story that proves Scott can stand toe to toe with the best gangster filmmakers out there, American gangster Could have been perfect if it was a little more streamlined.

9

Touch Of Evil (1958)

Directed by Orson Welles

After a car bomb detonated at the US it. / Mexico border, Mexican agent Miguel Vargas and American Captain Hank Quinlan investigate. When Vargas uncovers corruption in Quinlan’s team, his pursuit of justice threatens his safety and that of his wife in this tense thriller.

Director

Orson Welles

Release date

April 23, 1958

Figure

Charlton Heston, Janet Leigh, Orson Welles, Joseph Calleia, Akim Tamiroff, Marlene Dietrich, Zsa Zsa Gabor.

runtime

111 minutes

As one of the all-time great directors, Orson Welles proved his talents in the gangster genre with the classic film noir Touch of evil. This technical masterpiece was poorly received when it was first released in 1958, vi Walsh’s only sight was noticedAnd Universal executives forced Welles out during post-production (by Guardian.) while Welles’ vision was later restored, and Touch of evil was released in 1998, the damage was done to its reputation, and for decades, the innovative and emotionally gripping nature of the underrated classic was ignored by general viewers.

8

Gangs of New York (2002)

Directed by Martin Scorsese

As the first collaboration between Martin Scorsese and Leonardo DiCaprio and with Daniel Day-Lewis as the iconic villain Bill the Butcher, Gangs of New York Has all the makings of modern gangster movie classics. Packed with style and impressive action sequences of rival gangster factions, Gangs of New York Also suffered from a disjointed narrative and under-developed characters. As a highly ambitious project, Gangs of New York Tackled too many topics And never provided the room to dive into any of them with the level of depth they required.

7

Castle, Camp and Two Smoking Barrels (1998)

Directed by Guy Ritchie

Guy Ritchie proved himself an exciting new voice in British cinema with his gangster classic Lock, stock and two smoking barrels. with drawn performances of Jason Statham in his acting debut and Vinnie Jones in an intimidating and influential role, Lock, stock and two smoking barrels Felt almost like the British equivalent of a Tarantino movie. While all the pieces of a great film were in place, Lock, stock and two smoking barrels Also featured too many overlapping plotlines and was a poor example of style over substance in terms of narrative heft.

6

The Untouchables (1987)

Directed by Brian De Palma

The Untouchables was a stylized Prohibition-era gangster movie by Brian De Palma that featured an incredible cast, including Kevin Cosner, Robert De Niro and Sean Connery. With fantastic action sequences and timely locations, The Untouchables Was a wonderfully entertaining film whose melodramatic dialogue and simplistic good-versus-evil narrative fails to capture the morally conflicted urgency of the best gangster movies. The Untouchables Was a very good movie, and if it had leaned more into the gritty realism of its time, it could have been truly perfect.

5

The Departed (2006)

Directed by Martin Scorsese

After more than four decades at the forefront of Hollywood and the gangster genre, Martin Sorcese finally took home the Academy Award for Best Director for his extraordinary epic gangster movie The departed. With eternal themes of fractured identity, The departed Delve into the world of cops and criminals And the splitting of oneself when someone has to live a life undercover. With slow-building tension over nearly three hours, The departed was a lesson in filmmaking that unfortunately didn’t quite land its chaotic final act, as Billy Kosigan’s death felt sudden and unexpected.

4

City of God (2002)

Directed by Fernando Meirelles and Kátia Lund

Although many of the most famous gangster movies of all time are American or British-made, it is important not to disregard all the fantastic gangster films from filmmakers around the world. One of the best international gangster movies was the Brazilian film City of GodWhich powerfully depicted organized crime in the suburbs of Rio de Janeiro. With fast pacing and intense violence, The over-the-top nature of City of God At times overloaded the emotional weight of the movie And one could be criticized for presenting a glorified view of poverty-stricken communities that made a life of crime seem strangely enticing.

3

Mean Streets (1973)

Directed by Martin Scorsese

Mean streets was the movie where director Martin Scorsese finally found his unique style, and all the pieces came together to create an impressive, cohesive whole. however, Mean streets It also lacks the depth of Scorsese’s best gangster moviesAnd although it laid the foundation for the most urgent topics of his career, he would later expand and improve the main points that were listed here. Mean streets was a truly great movie, but it would take some time before Scorsese made a perfect gangster film with the release of Goodfellas in 1990.

2

Once Upon a Time in America (1984)

Directed by Sergio Leone

The iconic director of the spaghetti western genre, Sergio Leone, tried his hand at an epic, sprawling story that spanned generations with Once in America. In the length of almost four and a half hours in its original cut, the ambitious story of the rise of two Jewish gangsters in the organized crime scene in New York was told out of chronological order and has a significant content of its American Release, which stood at 139 minutes. . With many versions of varying quality, Once in America Can be a cinematic masterpiece or a convoluted messdepending on the cut.

1

The Irishman (2019)

Directed by Martin Scorsese

Seeing the iconic director of some of the best gangster movies ever, Martin Scorsese, reunite with Robert De Niro and work with Al Pacino is always going to be a cinematic treat. The result was the fantastic investigation of gangster Frank Sheran that even the most devoted viewers would admit was overlong as the runtime of The Irish stood in 209 minutes. Adding to that, the de-aging CGI effects on De Niro and Pacino were a bit distracting as Netflix viewers became more focused on the technical aspects of The Irish Like its compelling narrative.

Source: Guardian

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