American Horror Story: Apocalypse is filled with witches, devils, and many disturbing moments. American Horror Story is a loosely connected anthology series that revolves around a different yearly theme each season. The show started in 2011 with the season Murder house and will conclude its twelfth season in 2024. The eighth season of the show, Apocalypse, was relatively well received and Won five Emmy Awards.
The season takes place in a post-apocalyptic AmericaWith new factions and villains forming, including a grown-up Antichrist and the return of the witches from the show’s third season, Coven. The many seasons of American Horror Story have been obtained with varying levels of success. For many, the iconic and disturbing moments and performances in American Horror Story are unforgettable. Apocalypse is no different, with plenty of scary moments.
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Visions of the Apocalypse
Episode 3, “Forbidden Fruit”
Although mentioned several times, it is only in episode three that the outside world of Apocalypse is shown. It is blue and high, covered with blowing dust and the remnants of civilization. There are only a few left and the ones left are well-armed, dangerous and bloodthirsty. They even became cannibalsRoasting a human leg over a log. Although this is not a unique vision of the apocalypse and is reminiscent of many other post-apocalyptic films, it is still a frightening image.
A notable addition to the vision is the physical appearance of the survivors. Instead only have minor wounds, many of The remaining people appear to have radiation scars and deformities of the nuclear bomb. The transformations are especially visible in their new hair, which has thinned significantly. After so much build-up about the world outside the outpost, the blue-tinted apocalypse is suitably disturbing.
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The poisoned apple
Episode 3, “Forbidden Fruit”
In episode three, Venable (Sarah Paulson) and Mead (Kathy Bates) decide to kill the other survivors. Using their positions of authority, they develop an evil plan that will trick everyone. They use A special shipment of uncontaminated apples to disguise their poison And get everyone to enjoy them at a party. They even turn it into a fun game, making the residents bob for apples and eat them at the same time.
Immediately after eating the apples, The crowd becomes violently ill, spasming and dying. The scene is drawn out and gross, with almost comically large streams of vomit. The poison is sourced from Michael’s (Cody Fern’s) snakes, with the venom extraction shown intercut with the apple bobbing festivities. The shots of the snakes that are milked for their poison are eerie and disturbing on their own, and are only strengthened by the display of its effects.
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Burn at the stake
Episode 7, “Traitor”
In this episode, the witches assert their dominance over the warlocks, burning them at the stake before they can kill the witches. For their crimes, they were burned at the stake along with Mead. The setup seems almost sacrificial, with the burn being well planned and thorough. as she burns Med has a very creepy, almost knowing, smile on her face. This smile contrasts Ariel (Jon Jon Briones) and Baldwin (BD Wong), both of whom have their mouths removed by Cordelia (Sarah Paulson).
Many cast members play multiple characters throughout the seasons and episodes.
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The burn takes place in an eerie and empty post-apocalyptic setting. The sterile whiteness of the yard they are in adds to the severity of the act. Plus, it creates an almost beautiful image, with The fiery stakes are some of the only colors in the stark landscape. The three victims recall an almost biblical image reminiscent of Jesus on the cross. The scene is an eerie reminder of the show’s tone and brutality.
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Cordelia’s Graveyard Visions
Episode 5, “Boy Wonder”
The episode begins with Cordelia having visions of the end of the world. In the dream, she is in a broken graveyard, where she sees a white-faced demon in a cloak, who may or may not be Michael. She is quickly attacked by zombieswhich eat her flesh in large, visible pieces. Although brief, the scene is gruesome and bloody, as the cast laughs at her evil. Cordelia wakes up calmly, looking forlorn and resigned to the fate of the visions.
This scene helps reestablish the show’s tone and heighten the episode’s tension in the first few minutes. This is not immediately apparent as a vision and is initially read as real-life eventsEspecially since it’s tinted with the same blue haze as the other post-apocalyptic scenes. The zombie attack is a little unusual, because zombies are not a significant factor in the season, but since it is a dream, it is excused.
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Return of the Rubber Man
Episode 2, “The Morning After”
Episode two sees the return of the Man in the Latex Suit, who was dubbed Rubber Man. Since the beginning of the series, The suit has kept identity anonymous, For better or worse. In fact, before this episode, the suit had not been seen since the first season, when it was used for non-consensual anonymous sex. This scene in the first season leaves many viewers with a bad association with the suit. Its use is hardly less significant in Apocalypse.
Although Gallant (Evan Peters) and the Robber Man had sex earlier in the episode, Gallant is still uncertain about the wearer’s identity. Assuming it’s Michael, Gallant stakes the rubber man when they reconvene later in the episode. To Gallant’s surprise, Michael is standing in the doorway watching, and when he looks down, He realizes that he stabbed the grandmother. It was later said to be one of Michael’s demons in the suit. Although the scene is scary, it is made more palatable by the soundtrack, which plays “Gold Dust Woman” by Fleetwood Mac.
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Maid’s second death
Episode 10, “Apocalypse Then”
By episode 10, Mead returns in robot form, insisting on helping Michael. As Michael and Med are about to fight the witches, Med reveals a bionic arm to aid them. As this happens, Cordelia utters an incantation under her breath that seems to place a curse on Med. She begins to malfunction, shaking violently, almost looking as if she is possessed. Even Michael looks confused In what is happening.
Finally, the robot med explodes, causing a blast that launches Michael down the stairs. Her head lands next to him on the ground, covered with a sickly green goop. The head continues to sing a terrible song And blink as Med dies in Michael’s arms. Madison picks up Maid’s bionic arm and uses it as a machine gun to shoot Michael, who stuns but doesn’t kill him.
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Snake soup
Episode 2, “The Morning After”
Snakes are a big part of Apocalypse since they are associated with the Devil. In the pre-intro scene of episode two, Emily (Ash Santos), one of the members in Outpost 3, finds her room infested with snakes. Mead and her associate, The Fist (Erika Ervin), enter the room and begin to decapitate and kill the snake, planning to eat them as a source of protein. Although it does not look appetizing, Their uncontaminated meal options are limited.
At the dinner table later, the steamed snake soup is served to everyone in the outpost. Although people are hesitant to try, the snake pieces look relatively harmless. The soup is laid out and covered with lids while serving. However, as the clutches are lifted, The snakes are once again whole and alive. The scene is jarring and makes the audience and Outpost members wonder what is real in this new world.
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The black masses
Episode 6, “Back to Murder House”
In this season, Madison (Emma Roberts) and Ze (Billy Porter) return to season one’s murder house, where they encounter many of the past characters’ ghosts. While there, they learn about Michael Langdon’s past, vi He was raised in the murder house by his grandmother Constance (Jessica Lange) After the events of the first season. Part of Michael’s backstory is the Black Mass ritual, which is shown in a scene in episode six.
In this scene, Mead offers a young woman a ride in the rain. Although there are strange warning signs of evil in the car, the woman accepts the ride since Mead seems non-threatening. Mead takes her to the murder house, where the woman is awakened to her own victim as Michael’s followers cut her open. Once they remove her beating heart, Michael takes a bite of it. As he enjoys the organ, the shadow of Satan is on the wall behind him, showing that Michael knows and embraces his family origins.
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The babysitter killer
Episode 10, “Apocalypse Then”
At the end of the season, Mallory goes back to 2015 to kill Michael and reverse the apocalyptic events. With Michael gone, it seems as if everything will stop peacefully. The show then follows Timothy (Kyle Allen) and Emily, who get together after all. Their romantic fate seems inevitable in every timelinePerhaps caused by unseen influences. Years pass, and they are revealed to have a three-year-old child together named Devan.
In the final scene of the season, Timothy and Emily return from a date night to find the babysitter dead, with Devan covered in blood. As they begin to panic, a knock on the door reveals Mead and her associates. They offer to help with the child, believing him to be The second spawn of Satan. It ends on a cliffhanger, since the next season is set in the 1980s and does not explore Devan’s fate further.
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Season opening scene
Episode 1, “The End”
Before the season descends into absurdity and campy plotlines, the first scene proves to be the most disturbing. This is partly because it is based in realism. without witches or the antichrist, The scene plays on the real fear of nuclear warfare. Within a minute of opening a hair salon, the phones show a ballistic missile threat alert for Los Angeles. Some think the threat is a joke, which only furthers the realism of the situation. Soon a panic follows.
While the rest of the season takes a dramatic twist, exploring the new world’s rules, the first scene is grounded in real fears of the real American fear of the apocalypse.
The scene is scary because So much is unknown, but it’s still strangely realistic. No one can say who launched the missile or why, leaving all motives and villains ambiguous. While the rest of the season takes a dramatic twist, exploring the new world’s rules, the first scene is grounded in real fears of the real American fear of the apocalypse. Although there are not as many scary moments in this season as before, the plot of American Horror Story Apocalypse itself is based around a deeply rooted modern fear, making it inherently terrifying.