10 Cult Classic ’70s Movies That Have Aged Poorly

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10 Cult Classic ’70s Movies That Have Aged Poorly

Although a lot 1970s films have since built a cult following, which doesn’t mean they haven’t aged badly in the decades since. Whether it’s outdated social and political content, poor special effects, or even outrageous concepts that don’t fit with today’s modern cinematic landscape, it’s interesting to note how much time can erode an audience’s view of a particular film. While these films may not have aged well, that doesn’t necessarily make them bad, and it’s important to view them as products of the era in which they were made.

Some of the best films of the 1970s have their fair share of aging problems, especially cult classics that have grown beyond normal cinematic expectations. From silly premise like an offbeat comedy starring Clint Eastwood as an ape, to classic sci-fi films whose special effects just don’t hold up. poorly aged films from the 1970s demonstrate how far filmmaking has come over the years.. While all of these films have a devoted following, it must be admitted that they have aged well.

10

Any Way But Free (1978)

Directed by James Fargo


Philo (Clint Eastwood) and Clyde ride together in Any Way But Loose

This is truly one of Clint Eastwood’s worst films. In any direction, but freely feels more like a weird fever dream than an actual movie. This quirky Eastwood comedy is fresh from an epic revenge western. Outlaw Josey Waleswith an orangutan for a light-hearted film that has not stood the test of time. Not only that In any direction, but freely A shockingly uncharacteristic film for Eastwood, it was also successful enough to receive an even worse sequel in 1980 called Any way you can.

While seeing Eastwood in a monkey-filled comedy might have seemed like a novelty in 1978, in retrospect it’s an unfortunate anomaly in a career filled with cult films. Today, audiences remember Eastwood as the Man with No Name in Sergio Leone’s novel. Dollar Trilogy or as director and co-star of Best Picture-winning films. Unforgiven And Million Dollar Baby. With this in mind, In any direction, but freely hasn’t aged very well, and it’s clear that Eastwood was in it mostly for the paycheck.

9

Sweet Child (1978)

Directed by Louis Malle


Brooke Shields as Violet and Keith Carradine as Belloc in Pretty Woman (1978)

While it is clear that social norms regarding acceptability have changed radically over the past few decades, it is still unclear how a film such as cute baby could be perceived as anything but creepy, regardless of the era. This is the story of a 12-year-old girl who grew up in a New Orleans brothel. over-sexualization of child actress Brooke Shields meant that this film has aged very poorly. Shows semi-nude and nude scenes with Shields, who was 11 years old at the time of filming, moral and ethical issues Cute baby the production makes it a sad relic of a bygone era.

When it was released, cute baby was well received by critics and was even nominated for the Palme d’Or at the Cannes Film Festival. However, despite its good intentions to deconstruct child exploitation and themes of loss of innocence, having a real child portray these scenes meant that the film could easily be accused of the very thing it intended to protest against. More than anything else, cute baby highlights how much times have changed, and the film’s impact on Shields was further explored in the 2024 documentary. Sweet Baby: Brooke Shields.

8

Saturday Night Fever (1977)

Directed by John Badham


John Travolta dances to Saturday Night Fever

John Travolata’s acting career really took off in the late 1970s when he landed roles in Carrie, Saturday Night FeverAnd Lubrication one by one. While all of these roles were highly acclaimed and remain cult classics to this day, the way Saturday Night Fever addressing issues of sexual violence and abuse meant that it aged the worst of them all. Bye Saturday Night Fever While powerfully addressing race and identity amid the disco music movement, it also demonstrated the very real threat of sexual violence for women at the time.

In one scene, Tony (Travolta) attempts to sexually force himself on his dance partner Stephanie (Karen Lynn Gorney), while in another, Tony’s sleazy group of friends rape fellow disco dancer Annette (Donna Pescow). Saturday Night Fever gained a reputation as a fun film with lots of disco music and dancing.rewatching it, it’s shocking how much bigotry, misogyny and sexual violence was on display. While these aspects add thematic depth to the story, it also largely means that Saturday Night Fever aged badly.

7

Rocky Horror Picture Show (1975)

Directed by Jim Sharman


Tim Curry as Dr. Frank-N-Furter sings Sweet Transvestite in The Rocky Horror Picture Show

Rocky Horror Photo Show has earned its reputation as perhaps the most iconic film of the 1970s. With incredible music, provocative characters and a wild, campy and outrageous energy. This Tim Curry film pushed social and political boundaries and showcased LGBTQ+ themes. and problems that few films have previously attempted to address. Although all this is still true today, it must be recognized that Rocky Horror Photo Show may seem a little dated in many ways.

While Dr. Frank-N-Furter may have been an innovative figure in 1975, their self-description as “sweet transvestite“feels out of step with modern language use among gender non-conforming people. Rocky Horror Photo Show was also full of scenes where consent was ambiguous or even ignored outright, making for uncomfortable viewing in the wake of movements like MeToo. General, Rocky Horror Photo Show was well intentioned and should be praised as a groundbreaking film, but some aspects of it simply don’t hold up to 21st century scrutiny.

6

Love Story (1970)

Directed by Arthur Hiller


Ryan O'Neal and Ally MacGraw wear coats and smile with their foreheads pressed together in the 1970 film

Love story is remembered as one of the most romantic films of all time, as the story of Oliver (Ryan O’Neal) and Jennifer (Aly MacGraw) resonated with modern audiences. Love story touches on important issues related to academics and romance, showcasing how a boy and girl from completely different backgrounds cross paths and ultimately fall in love. It’s an overtly sentimental story that fully embraces its more melodramatic aspects when tragedy strikes. Love story resonated with audiences at the time, but today it may seem emotionally manipulative.

One of the main aspects that made Love story “A bad age” is how he presented the romance between Oliver and Jennifer. Famous quote from the movie “love means never having to apologize» perfectly encapsulates Love story unhealthy portrayal of romance as the toxic dynamic between the couple was romanticized as Oliver’s emotional distance, dismissive attitude and sometimes controlling behavior were never fully met. Bye Love story It may have been a cult classic of its era, but in retrospect, it was filled with outdated themes and ideas.

5

Smokey and the Bandit (1977)

Directed by Hal Needham


Bandit leans on his car while talking to Snowman in Smokey and the Bandit.

Lame, cheesy jokes coupled with poor production values ​​meant that although Smokey and the Bandit achieved cult cult status, it has still aged very poorly. While this film’s imagery and ideas have stood the test of time, and the character of Bo “Bandit” Darvill will always be one of Burt Reynolds’ leading roles, it is impossible not to be aware of the age of this film. Over the past nearly five decades, the cost of producing action films has risen so much that tricks in Smokey and the Bandit feel incredibly tame.

Added to these problems were gender stereotypes, racial representation, and aggressive portrayals of Southern culture. Humor in Smokey and the Bandit was filled with casual sexism, and while the characterization of Carrie, CB’s alias “Frog,” made it one of Sally Field’s best films, it’s hard to argue that it wasn’t one-dimensional. Smokey and the Bandit can still be a lot of fun and the film’s legacy is undeniable, it’s clear that this film hasn’t aged very well.

4

The Amityville Horror (1979)

Directed by Stuart Rosenberg


Lutz holds a cross in The Amityville Horror.

The Amityville Horror kicked off a long-running folk horror franchise that included numerous sequels, direct-to-video releases, and even a 2005 re-imagining. As the story of a young couple buying a haunted house, the film touches on contemporary concerns about financial insecurity, as its themes of “credit crunch horror” were subsequently repeated in later horror films made during times of economic turmoil such as Spell. Although thematic ideas The Amityville Horror held up very well, it was its practicality and special effects that started this cult favorite.

Over the decades since The Amityville Horror was made, the special effects have improved significantly, meaning supernatural films like this can feel eerily reminiscent of works of their time. While more psychological films such as Psycho or slasher films like Texas Chainsaw Massacre Hold yourself real good, like in ghost movies The Amityville Horror unfortunately no. Although this film has earned its place in horror history, the presence of an immoral ghost did not stop The Amityville Horror from aging.

3

Deliverance (1972)

Directed by John Boorman


Jon Voight, Burt Reynolds, Ned Beatty and Ronny Cox in Deliverance

Deliverance was a groundbreaking thriller whose “Duel on the Banjo” scene became a touchstone of popular culture. Although the film was a critical and commercial success at the time of its release, in retrospect, Deliveranceit is impossible not to notice the harsh cultural insensitivity at the heart of his narrative. This is the terrifying story of four Atlanta businessmen who encounter a deranged resident of the remote wilderness of northern Georgia. Deliverance leaned heavily towards village stereotypes and long-standing stigma against marginalized rural people.

Portrayal of Southern Characters in Deliverance Because the film was violent, backwards, and predatory, this meant that the film has aged poorly compared to contemporary depictions of rural populations. The shocking and brutal sexual violence depicted in the film also made for extremely uncomfortable viewing, further cementing the film’s backward portrayal of its antagonists. Bye Deliverance is still remembered as a highly influential and powerful film, it is important to view it as a product of its time in its presentation.

Directed by John Boorman, Deliverance follows outdoor enthusiast Lewis Medlock and his friends on a dangerous river journey through the American wilderness as they try to test the Kahoolawasse River before it becomes a reservoir. Released in 1972, the film explores themes of survival and human endurance.

Director

John Boorman

Release date

July 30, 1972

lead time

1 hour 49 minutes

2

Beneath the Planet of the Apes (1970)

Directed by Don Taylor


Mutants in Beneath the Planet of the Apes touch their faces

Original Planet of the Apes The 1968 film starring Charlton Heston became a touchstone of popular culture and featured one of the best cinematic twists of all time. Continuation, Beneath the Planet of the Apescannot boast the same heritage. While the subsequent films in the original franchise have achieved cult status, the lackluster special effects and truly stunning narratives mean that they have aged quite well.

Although Heston briefly reprized his role in this sequel, the main plot follows James Francis as Brent, an American astronaut sent to rescue Taylor (Heston). developed telepathic abilities. While this was an interesting new direction for the franchise, it undermined much of the narrative of the previous classic story and was filled with lackluster special effects that are very outdated Beneath the Planet of the Apes.

1

Foxy Brown (1974)

Directed by Jack Hill


Pam Grier looks at the man behind the scenes in the 1974 film Foxy Brown.

The Blaxploitation genre emerged in the 1970s as a means for black artists to reclaim their cultural identity through films that placed greater emphasis on the African-American worldview. Films such as Shaft And Superflywho associated this style of filmmaking with incredible soul and funk music. Another important release was Foxy Brownstarring Pam Grier, which took a more feminine approach to these types of films and was filmed as an empowering representation of female autonomy.

Although many aspects Foxy Brown still endures today and is an incredible time capsule of a certain era in cinema, its themes of female empowerment looking more like objectification when viewed through a modern lens. Foxy Brown was filled with extremely sexual images and was even arrested and confiscated in the United Kingdom under Section 3 of the Indecent Publications Act 1959 during the horrific video scare (via Melon farmers.) Although the themes and ideas revealed in Foxy Brown still seems relevant, it is important to consider it outside the context in which it was created.

Source: Melon farmers

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