10 Tasteless Horror Movies That Are Actually Brilliant

Somewhere between complete garbage and artistic genius lies the unique niche of the horror film genre. The status of these horror films as cult classics or examples of bland perfection depends on several factors; is often overlooked by casual viewers who don’t see the bigger picture. They don’t realize the brilliance of some horror films that have transcended their seemingly bland foundations.

Of all the film genres, horror is perhaps the most forgiving. Its often incongruous settings, premises, characters and lore may seem downright ridiculous at first glance. Still, audiences return repeatedly, drawn by the genre’s ability to surprise and innovate. The key lies in the filmmakers’ ability to reinvent familiar tropes and make audiences ask themselves what new and exciting ways the filmmakers took demonic possession, alien abduction, and the shark movie. This leaves a lot of room for completely absurd horror films that actually shine in their execution.

10

deep blue sea

Genetically enhanced sharks exceed expectations

While watching deep blue sea A first-time viewer might think this is a campy shark horror movie with lots of blood and jump scares, but there’s not much to say. However, if the viewer is willing to look a little deeper and see the clever subversion of expectations that these sharks are no ordinary Bruce, but are instead genetically enhanced with enhanced intelligence capable of opening doors, then perhaps this film’s brilliance will shine through. a little brighter.

This take on the famous “Man vs. Nature” theme, with characters who must outsmart their monsters rather than just try to outrun them, is somewhat original and relevant, even though the film is over 20 years old. Additionally, Samuel L. Jackson’s superb performance with a twist underscores how daring the filmmakers were. deep blue sea had to make a film that went further than audiences expected. Of particular note is LL Cool J’s surprisingly good performance.

9

Alien Abduction: Lake County Incident

A year before the famous found classic and game changer The Blair Witch Project a TV movie was released called Alien Abduction: Lake County Incident aired on the now-defunct UPN network. Although this found footage film is often overlooked, it effectively captures something special about the story that finds the McPherson family at the center of an alien encounter.

From the wonderful red camp lights (used to indicate the proximity of aliens) to the fantastical costumes, this film had such a strong sense of authenticity that many at the time believed it was a true story and watched a real alien abduction on TV. sets. Alien Abduction: Lake County Incident may not have attracted everyone’s attention and approval Blair Witch Project, but it still highlights how effective and timeless found footage can be as a horror medium.

8

Orphan

Psychological depth of the image of an angry child

The evil child image was nothing new in 2009, when Orphan hit theaters. However, there is an argument to be made that the look at the evil child in this film took horror to the next level because Orphan based on a true story. The combination of psychological depth and Isabelle Fuhrman’s gripping performance as the aforementioned orphan gives viewers more than just a quick scare.

Orphan delves into the complexities of what it means to be a family and the consequences of keeping secrets, resulting in a narrative that truly resonates on an emotional level, but still leaves the viewer scared of what will happen next. Esther, the Evil Russian Girl is both unsettling and enchanting, proving that while the horror trope may seem overused, there are still underappreciated gems that deserve a chance to shine.

7

Haunting in Connecticut

A Haunted House Tale and Deeper Themes

Bye Haunting in Connecticut story While it may seem like a standard film based on a true haunted house story, this film really excels in its exploration of life and death. The film’s protagonist has cancer, and when his family moves into a large house near the hospital, he soon discovers that the house used to be a funeral home. Furthermore, the “based on a true story” trope may be what gives this film a tawdry undertone, but the exploration of maintaining faith in the face of adversity suggests there’s more to it than just a ghost story.

Haunting in Connecticut also makes good use of its setting: the funeral home and the use of practical effects create an unsettling atmosphere in the story, which is already upsetting. With each new stage of Matt’s illness comes a new level of supernatural threat that the family must contend with as they try to save not only their son’s soul, but the souls of all those trapped within the walls of the house.

6

Infection

Balancing Comedy and Horror in an Insect Apocalypse

A world overrun by large insects doesn’t always mean a horror movie will be taken seriously, and that’s exactly the case with Infection because it shouldn’t be taken seriously. It’s funny, but it’s fantastic. Its comedic approach to body horror and an apocalyptic world, led by the underrated Chris Marquette, is exactly the tone that audiences love to see when watching these types of horror films.

Without taking itself too seriously, but still delivering some genuine moments of terror, Infection allows the audience to enjoy the story and fear the world it created. From difficult to watch scenes of metamorphosis to farce, Infection is a diamond in the rough that was released in 2009 to little fanfare, but is still worth a watch now.

5

Devil inside

When Science and Religion are Used to Exorcise Demons

Obsession movies are always fun and Devil inside no different. Despite receiving mixed reviews when it was released, it deserves some praise and a second look due to its somewhat innovative take on found footage horror. The story, which tells of numerous terrible exorcisms of demons, takes viewers to Rome, where the boundaries between reality and fiction blur.

The exploration of science and religion was also something new for a possession film, as were most films before and after it. Devil inside focused much more on the religious approach rather than a combination of the two. This highlights the subtle level of depth of exorcism research that the filmmakers used. Despite the aforementioned poor reviews, the film still managed to gross $100 million at the box office, which is even more impressive since it only cost $250,000 to produce.

4

Chernobyl diaries

Radioactive sensations in a real disaster zone

Chernobyl never stops being interesting, and when you add found footage, radioactive mutants and dumb American tourists looking for dangerous thrills, you have a winner. All of these factors can be found in the criminally underrated Chernobyl diaries. This is a film filled with familiar horror tropes and styles, but it doesn’t matter because the scares are genuine and the story is compelling.

With each new media report about the Chernobyl disaster, more and more of the mystery of what happened is revealed. Chernobyl diaries – these are the most sadistic speculations about what could happen in the following years. The film also doesn’t have to try very hard to create a creepy atmosphere, as its real-life setting unleashes the imagination of everyone who watches in horror as the hidden, if tawdry, secrets of this version of Chernobyl are revealed.

3

Tusk

Body horror inspired by a podcast

Kevin Smith is something of a director, and this is especially evident in Tuskhis misunderstood horror masterpiece. The film, which began as a funny episode of the director’s podcast where Smith read funny and confusing information on Gumtree, later became something even stranger. What followed was the story of a man who was surgically transformed into a walrus.

With an eccentric villain delivering some of Smith’s famous dialogue in Michael Parks, an underrated performance from Justin Long and a sensational cameo in Johnny Depp. Tusk delivers on its promise to take an unusual idea and create something special. It also manages to balance a surprisingly poignant exploration of what it means to be human with stunning body horror. Tusk This is a film that Kevin Smith had so much fun making, and his account of how the film was made is as compelling as the final product. Even if Kevin Smith Tusk 2 there will be no continuation Tusk should be appreciated on its own merits.

2

Turning off the lights

From viral short film to underrated horror classic

Starting with a terrifying viral horror short film on YouTube, Turning off the lights was a fantastic theatrical sequel that didn’t get enough love. This is a film that takes the simple, primal fear of the dark and creates an effective horror film around that central fear. What could be scarier than a monster that can only attack you in the dark? Well, probably a lot of things, but that’s not the point.

While the script may not be perfect, it is Swedish director David F. Sandberg’s direction that makes this a great horror film. Maximizing limited locations and a fun concept allowed him to get creative in using different light sources to create tension. The film is set in our world, from mobile screens to candles, and audiences will be rushing to turn on the lights in every part of their homes.

1

The dead don’t die

Deadpan zombie apocalypse

Nobody asked famed indie director James Jarmusch to make a zombie movie, but he did, and it’s brilliant. In a genre filled with stunning performances and action sequences, Jarmusch’s equanimity The dead don’t die it’s a unique take on zombies. Viewers tuning in to see a horror film in which Selena Gomez is rescued by unsuspecting nerd hero Caleb Landry Jones may be disappointed when the two only awkwardly flirt about their impressive movie knowledge.

It’s a James Jarmusch film first and a horror film second, and that’s what makes it special. Tilda Swinton, Bill Murray and Adam Driver deliver Jarmusch’s amusing tone, dripping with irony and monotone, with a deliberate pace that challenges the expectations of those unfamiliar with the director’s work. However, if viewers allow themselves to buy into the self-referential humor and its commentary on consumerism, then this will be a universally rewarding watch for those who enjoy Jarmusch’s unique sensibility, and those viewing his work for the first time.