9 Biggest Differences Between the Coen Brothers as Confirmed by Drive-Off Dolls, Ethan’s First Movie Without Joel

The Coen brothers made their own movies in their short hiatus, and the differences between Drive-away dolls And The Tragedy of Macbeth Could reveal a lot about their artistic sensibility. The Coen brothers have been working together since the 1980s, delivering classics such as No Country for Old Men, Fargo And many more. They hadn’t worked separately until recently, so it was hard to figure out which brother brings what to their collaboration.

Released in February 2024, Drive-away dolls is a lesbian road trip comedy directed by Ethan Coen, which he co-wrote with his wife Tricia Cooke. Drive-away dolls Treads some familiar territory, as it seems to harken back to older Coen Brothers classics like The Big Lebowski And Rising Arizona. However, there is also a lot that makes it stand out. Drive-away dolls is described as a Coen Brothers movie with Joel’s influences taken out. The Coen brothers are set to reunite for a horror movie, but their solo work has revealed a lot about them.

9

The buddy elements appear to be Ethan’s input

Ride-Off Dolls is all about friendship and love

Drive-away dolls is a road trip movie, but it’s actually two separate buddy adventures happening concurrently. Most obviously, Jamie and Marian are forming a new relationship as they drive south, but the movie also spends a lot of time with Arliss and Flint, the two guns sent to hunt them down. Their constant bickering is reminiscent of Carl and Gaear, the two kidnappers played by Steve Buscemi and Peter Stormare in Fargo. This is just one reference to a Coen Brothers movie in Drive-away dolls.

Before making the transition to lovers, Jamie and Marian have an enjoyable dynamic as two friends, with Jamie trying to push the more reserved Marian out of her comfort zone. Their repartee provides a lot of laughs, but it also reveals a lot about the two characters and the relationship they share with one another. It seems likely that Ethan is more responsible for the elements of buddy humor in his and his brother’s movies.

8

The raucous humor is probably Ethan

Drive-Off Dolls is grittier than most Coen Brothers movies

for a long time, Drive-away dolls Keep the mystery of what’s inside the file that people are willing to kill for. The answer turns out to be a set of five dildos, each created using real people and a plaster casting kit. This turns the whole story into one big raunchy joke, though Drive-away dolls Lays down a marker for raunchy humor from the start. Jamie is introduced in the middle of a sexual encounter, and she talks about sex and relationships for the rest of the movie.

comparing Drive-away dolls to The Tragedy of Macbeth Is borderline unnecessary, because there are so many huge differences. One thing that stands out is the fact that Drive-away dolls is a comedy, and this suggests that Ethan was the source of the humor in the Coen brothers’ movies. Even if he’s not necessarily writing all the gags, it’s a safe assumption that his is the mind behind the dildo chair in burn after reading, And probably the surreal sexual fantasy of The Big Lebowski.

7

The trippy interludes are Ethan’s work

Ethan may be more into mind-bending visuals than Joel

Drive-away dolls is punctuated with a few psychedelic sequences, showing an intoxicating swirl of images from the movie and elsewhere. It’s a kaleidoscopic vision of a pizza, several female figures dancing around, bright splashes of neon paint, and Miley Cyrus whispering words of affirmation. Ethan Coen does not tie the interludes to the main plot until the end of Drive-away dollsWhen it is revealed that Cyrus’ character is Tiffany Plastercaster, the woman who made the bespoke dildos.

The trippy visuals seem to refer back to the drug-induced hallucinations of The Big Lebowski. There are also some other touches Drive-away dolls Which suggest that Ethan may be the one creating some of the Coens’ more experimental shots. He has a few jarring shot transitions, some of which are accompanied by comedic sound effects. He also shoots the opening sequence with Pedro Pascal and the confrontation with Matt Damon to look like puppy adventure comics, such as. Rising Arizona When Hi is in full panic mode.

6

Ethan has a penchant for crime capers

The genre of drive-away dolls says a lot

It’s telling that Ethan Coen’s first solo directorial effort sees him return to making a crime comedy, which is something he and his brother have excelled at. Many of the best Coen Brothers movies are crime comedies, including Fargo, The Big Lebowski And Rising Arizona. It’s possible that Ethan convinced Joel about the types of movies they should make, although they did, of course, work in other genres.

While Joel Kuhn The Tragedy of Macbeth was radically different from the work he did with his brother, Drive-away dolls Carry on much in the same way. It’s still not quite the same as some classic Coen Brothers crime capers, but it has many of the same hallmarks. It’s a MacGuffin as in Burn after readingSome dysfunctional hooks as in FargoAnd some flawed heroes who are way out of their depth as in Rising Arizona.

5

Joel’s work is darker

Drive-Away Dolls is a lighter take on several Coen classics

One thing that separates Drive-away dolls Of other Coen brothers crime movies is that it is much breezier. Even though Drive-away dolls is filled with death, it never seems as though Jamie and Marian are in too much danger. This provides a contrast to movies like Burn after readingIn which Brad Pitt’s lovable Himbo gets his brains blown while trying to blackmail a former CIA agent. Employee.

Drive-away dolls is a lighthearted road trip movie that clocks in at under 90 minutes. Jamie and Marian’s sun-soaked happy ending doesn’t come as a surprise, because Drive-away dolls Is not particularly interested in the dark side of crime. The characters may indicate homophobia, but they don’t experience any on-screen. The impotent ineptitude of Arliss and Flint also hints that the heroes will be fine when all is said and done. They act more as comic relief than villains. Other Coen Brothers villains, like Anton Chigurh, would kill Curlie and the entire college football team.

4

Ethan takes a looser approach in drive-away dolls

Drive-away dolls are proudly messy

The films of the Coen brothers are often noted for their intricacy and precision. Nothing is out of place in their best movies, and every unanswered question is left that way on purpose. The same cannot be said ride-off dolls, Which takes a loose approach, all in the good name of fun. Drive-away dolls is designed to be an unrelenting good time, with plenty of jokes, sex and a soundtrack worth dancing to. It does not stop at the analytical examination that the Cohen brothers are used to.

There are several aspects of Drive-away dolls Which reads as if Ethan Coen is allowing himself to experiment and play around with things. Take the transitions of retro shots, for example, or the flashbacks to Marian’s sexual awakening that do not go anywhere. Drive-away dolls Ends with a line that makes no sense, and It never answers what happens to Curlie or Flint. Ethan Coen doesn’t seem too concerned about the mysteries. This is radically different to Joel Coun’s precision-engineered The Tragedy of Macbeth.

3

The brothers approach politics in different ways

Driving Away Dolls has a more specific political ideology than some of the more existential Coen Brothers movies

The Cohen brothers have always looked at politics in broad strokes. Without naming specific politicians or even parties, their movies can dig into the psyche of different political subcultures, and they are acutely aware of how politics mingles with daily life for most Americans. This means that the Coen brothers often discussed politics in abstract terms, lightly pointing to narrow-minded ideologies and narcissistic politicians across the spectrum.

Drive-away dolls is a bit more didactic in the way it talks about politics. Set just before the controversial 2000 election that set the tone for American politics in the 21st century, Drive-away dolls is a proudly left-leaning story about shady faux-evangelical politicians and the potential dangers of being queer in the rural American South. rather, The Tragedy of Macbeth Uses one of William Shakespeare’s plays that explores the twisted psychology behind power. It is a much broader examination of politics.

2

Ethan shows an interest in American subcultures

The Coen brothers often look at different American regions

Many classic Coen Brothers movies can be viewed as cinematic revivals of American regionalism. in Fargo, Rising Arizona, No Country for Old Men, O Brother, Where Art Thou? And more, the landscape is a vital component of the story, as well as the basis for some striking visual metaphors. Drive-away dolls Continue the trend of the Coen brothers by heading from Philadelphia into the heart of the American South.

By moving from Philadelphia to the South, Drive-away dolls Travels of relative safety and acceptance for queer people in Desier territory. The political billboard that says “family values” is a hint that Jamie and Marian are far from home, and Jamie compares another place to the sundown towns of America’s past. yet, Drive-away dolls Show thriving queer bars dotted around the South and a particularly sexually liberated football team from Georgia.

1

Joel brings the emotional resonance

Ride-off dolls are described as lightweight

A lot of the critical conversation about Drive-away dolls focused on what Ethan Coen does without Joel, but it ignores the influence of Tricia Cooke, Ethan’s wife and co-writer. Cooke helps create a quirky comedy that is light and fun to watch. This may seem trivial, but that’s kind of the point. So many movies and TV shows with queer characters are about difficult topics such as homophobia, human rights and acceptance. Fun road trip comedies often seem to be reserved for straight characters.

Drive-away dolls Wear your heart on your sleeve. It’s proudly simplistic at times, offering a good time and little else. While this is a breath of fresh air, the film’s critical reputation has taken a hit due to the perceived lack of emotional depth. It is possible that Joel Coen is the brother who helps more in terms of improving Coen Brothers movies with deep emotional resonance. Ethan Coen’s next solo directorial feature could be more revealing. He and Cook are working on another “lesbian B-movie” in their words, titled Honey don’t!