8 times Doctor Who hid Sutekh’s return in plain sight

0
8 times Doctor Who hid Sutekh’s return in plain sight

Sutch’s return in Doctor Who Season 14 not having appeared on the show for almost half a century was a huge surprise, but the long-running British sci-fi still included several hints to foreshadow the resurgence of the classic villain. Sutech was revealed to be the one waiting inside Doctor Who The final episode of season 14, “The Legend of Ruby Sunday.” The debut of the antagonist in Doctor WhoThe Disney era was his first episode since the 1975 story, “Pyramids of Mars,” starring Tom Baker’s Fourth Doctor. The signs of Sutek in Kombak were whiteBut they are certainly there.

with Doctor Who The 14th season, which was a stealth sequel to “Pyramids of Mars”, the clues to the true identity of the first big bad of the era of Ncuti Gatwa are much easier to find in retrospect. The Pantheon leader’s evil plan to wipe out all life in the universe is retroactively established as the biggest looming threat of the post-Baker era, and the fact that Sutech could remain hidden So long only his terrible power binds.

8

Doctor Who Season 14’s Multi-Colored Marketing

The promotional material of Gatwa’s first season shared a color scheme with some original Sutekh shots

Like almost every other time a new actor is cast in the lead role of the show, Doctor Who underwent an aesthetic overhaul when the Fifteenth Doctor of Nukti Gatva entered the fray. The bright marketing for Doctor Who Season 14 promised a vibrant and visually pleasing set of episodes, but it actually teased Sutekh’s return at the same time. The eye-catching color scheme may seem harmless, however It’s an amazing match for an iconic shot from Sutekh’s original story.

One of the harsh realities of Doctor WhoThe classic era is the fact that many special effects have not stood the rest of time. By today’s standards, Sutech’s method of traveling to Earth in brightly colored “Pyramids of Mars” doesn’t particularly match the insidious atmosphere the story is trying to establish. So, when The same palette is used to advertise Doctor Who Season 14It hid even more the return of the well-known villain.

7

The Beatles song in “The Devil’s Chord”

The Fab Four sing about a dog not dead

Although Jinkx Monsoon’s Maestro was the villain of Doctor Who Season 14’s Beatles episode, the lyrics to one of the Fab Four’s intentionally underwhelming compositions quietly acknowledged Sutekh’s impending arrival. With Maestro’s plot to rid the world of music, the remaining songwriters began writing lyrics with almost no heart, and The Beatles’ song about a dog revealed more than it originally appeared.

The song in question included lyrics such as, “My dog ​​is alive, he is not dead.”

The song in question included lyrics such as, “My dog ​​is alive, he is not dead“Sutech may not be a real dog, but the resemblance between a domestic pooch and the most powerful being in Doctor Whos pantheon of gods is not unremarkable. Until “The Legend of Rubin Sunday,” The doctor believed that Sutekh was deadSo the silent foreshadowing of the Beatles refuting that assumption is very important after the events of the two-part finale.

6

The “Susan Triad Technologies” wordplay

The sutech/sutech connection was a little hard-collar (but it works)

Showrunner Russell T Davies likes to play with words in Doctor Who Season 14Even if some of the anagrams were a bit of a reach. Triad Technologies was referred to as early as the 60th anniversary specials, but without Susan’s first initial, it was a bit tricky to arrive at the “TARDIS“Treats that can be constructed from”S. TriadThat said, when Susan Twist’s character was revealed to share the same first name as her actress, it became much more difficult to avoid the Suetech/Sue Tech connection due to the tech mogul’s field of work.

There is probably a reason why the “anagram” was only available in the same episode as the Sutek reveal. It’s incredibly on-the-nose, although the incomplete nature of the available characters could arguably keep viewers in the dark for much longer. The clunky nature of the clue aside, It still left Sutex’s presence uncovered By most of these Doctor Who Fan base as well as all the characters.

5

The strained TARDIS noises that started in “Wild Blue Yonder”

There’s not much that can make the TARDIS groan

The TARDIS made a sound it had never made before in David Tennant’s second full episode as the Fourteenth Doctor. The mysterious noise seems a little disturbing at first, but ultimately harmless. It happens again a handful of times after Gatwa steps into the role of the DoctorBut the fact that it often occurs in the middle of a much bigger mystery/crisis means it can quickly be swept under the rug until the time is right.

Related

Doctor Who It’s never really been fully explained why the TARDIS is whining, but the most prominent theory is the Doctor’s sentient blue box is under a lot of strain from carrying around for so long. Although it was doing so for centuries in the 14th season, the god of death’s attempts to emerge may be enough to alert the TARDIS that something is very wrong. Watching the moments ago, the TARDIS might as well have been shouting, “Sutech is coming, Sutech is coming!“Fortunately, The TARDIS cannot communicate conventionallyThus, the Suet remained under scrutiny.

4

The toymaker being retroactively added to the pantheon should have been a great clue

The Toymaker and Sutech both date back to the classic era of Doctor Who

The Pantheon did not exist during the time of the toymaker’s debut in Doctor Whos classic era. Instead, he was simply a loose villain. But, when Doctor Whos Disney era brought the character back with Neil Patrick Harris in the role, it was like one of the franchise’s new gods. When Maestro appears in “The Devil’s Chord,” the Doctor mentions the Pantheon as if the group had always existed, teasing there were more members. If any Doctor Who Villains of the classical era have gone on to follow the Tuymaker into a pantheon of membership, Sutech should have been a prime suspect.

The fear the toymaker and maestro both agree on “The one who waits” should have been a huge signifier of the moniker held by Sutekh.

Despite only appearing in one previous TV story prior to season 14, Sutech was still one of the most powerful beings that existed Doctor Who. His ability to kill with a single touch, as well as sharing that power with his terrifying avatars, makes him an incredibly formidable opponent. The fear the toymaker and maestro both agree on “The one who waits” should have been a huge signifier of the moniker held by Sutekh. Then again, the mysterious title could refer to almost anyone out of context, including a brand new Doctor Who Villain.

3

The Doctor Who Brought Back Sutech’s original voice actor

Sutek’s monologue that eventually leads to his reveal in “The Legend of Ruby Sunday” would spoil the big twist for fans of Doctor Whos classic era. Gabriel Woolf, who played the villain in “Pyramids of Mars,” was recruited to voice the reimagined version of the character in season 14. So, for anyone particularly familiar with Woolf’s Doctor Who Debuting back in 1975, it would be easy to predict Sutech’s imminent return. Wolf has an incredibly recognizable timbre That could have ruined the reveal ahead of time.

Woolf’s return to the role may also have been an attempt at misdirection. The actor voices the animal from Doctor Who Season 2, episodes 8 and 9 – “The Impossible Planet” and “The Satan Pit.” David Tennant’s villain shares some similarities with Sutek, and Woolf’s dual casting is a great way to throw fans off the scene. In the end, the plot was much less meta than a connection between both Gabriel Wolfe characters.

2

The title of Doctor Who season 14’s finale episode is a huge shame to Sutekh

Maestro’s endgame also looks like Sutekh’s goal

“Empire of Death” is a title that can (and has) easily slipped under the radar of even the most devoted. Doctor Who Fans. It’s just general enough to sound ambiguously awkward, but a half-generous reading declares Sutekh as the main villain of the story. Sutech is not a particularly laughable bad guyAs his sole purpose is simply that death should be the ruling state of being throughout the universe. Thus, any victory enjoyed by the character would surely fit the description of an empire of death.

of course, Sutech is far from the only one Doctor Who Villains with strong ties to the concept of deathBut he certainly has the strongest and most direct connection to want as much of it as possible. Plus, Woolf’s character even uses the word “Empire“When he tells Tom Baker’s Fourth Doctor about his plans in “Pyramids of Mars,” it strengthens the overall possibility and eventually correctly predicts that the “Empire of Death” will belong to Suetech.

1

Maestro’s apocalyptic goals are very similar to those of Sutekh’s master plan

Sutek’s death wave accomplishes the same thing as Maestro’s calculated plan

When the Doctor and Ruby travel to the present day to witness the impact of the death of music, the total lack of human life aligns with Sutek’s desires. While The plan of the god of death goes beyond that of killing earthIt’s still a big clue about what’s to come. However, it’s the nature of Gatva and Gibbon’s character’s return to the present that makes Sutech’s return feel even more inevitable. Although it’s easy to miss without seeing “Pyramids of Mars,” that doesn’t make it any less significant.

Related

In the 1975 Tom Baker story where Sutekh debuts, Elizabeth Sladen’s Sarah Jane Smith asks the Doctor to return to her native time of 1911. The Fourth Doctor uses the TARDIS to show Sarah Jane the impact of Sutekh’s actions if left to succeed. The Fifteenth Doctor does exactly the same thing with Ruby when she says that the world can’t end in the 1960s because her existence is evidence to the contrary. He managed to make Ruby understand that Maestro can succeed in changing historyAnd it is a replication of a moment of Sutek’s Doctor Who Debut.

Leave A Reply