5 Lessons The Acolyte Should Have Learned From George Lucas (Which Would Have Made Season 2 Happen)

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5 Lessons The Acolyte Should Have Learned From George Lucas (Which Would Have Made Season 2 Happen)

The acolytes cancellation has caused many to wonder what it could have done better, with many of the answers being practices from George Lucas himself. The acolyte Season 1’s ending teased many storylines for a sequel, most of which seemed more compelling than the narrative of its first outing. From the introduction of Star Wars Mysterious Sith Lord Darth Plague is to the inclusion of Yoda, The acolyte Season 2 was promising to be much more complete Star Wars History.

However, poor viewership and a divisive fan reaction were seen The acolyte Season 2’s story canceled by Lucasfilm. Between the support of fans and indifference from those not interested in the show, the cancellation resulted in many looking back to see where The acolyte Season 1 was wrong, and what it could have done better to extend its longevity. interesting, Many of the solutions that could have resulted in The acolyte Season 2 would have been common practice for someone overly familiar with these Star Wars Franchise: George Lucas.

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The acolyte needs a more modest budget

George Lucas was a master of financial efficiency

Maybe The greatest lesson The acolyte Could have learned from George Lucas keeps a modest budget. In an age of streaming services run by huge film studios, budgets for individual seasons of TV are skyrocketing and often don’t equate to high viewership, meaning cancellations are at an all-time high. The acolytes budget, for example, was a staggering $180 million, making it more expensive than many feature films. how so The acolyte would have needed to record some of the best viewing figures of Disney + ever to justify a season 2 – a mistake that Lucas would never have made.

George Lucas’ Star Wars movies

Year of release

Budget

Worldwide Box Office

Star Wars

1977

$11 million

$775 million

The empire strikes back

1980

$30 million

$549 million

Return of the Jedi

1983

$42 million

$482 million

Star Wars: Episode I – The Phantom Menace

1999

$115 million

$1 billion

Star Wars: Episode II – Attack of the Clones

2002

$115 million

$656 million

Star Wars: Episode III – Revenge of the Sith

2005

$113 million

$848 million

Besides being a master storyteller and world-builder, George Lucas knew how to accomplish these feats without inflated budgets. Since Disney acquired Lucasfilm and took over the Star Wars franchise, the studio has yet to produce a film on a more cost-effective budget than Lucas. The most expensive Star Wars Film Lucas created was Star Wars: Episode I – The Phantom MenaceWhich even then was crafted on a $115 million budget and earned over $1 billion worldwide, the most profitable of Lucas’ efforts in the franchise.

As Lucas proved, huge budgets are not needed to make stories that changed the entire landscape of blockbuster filmmaking in Hollywood, something that Disney may need to learn…

how so The acolyte Didn’t learn the most important lesson from Lucas: keep budgets comparatively small. The original trilogy is a testament to this, with the three films costing less combined than The acolyte. As Lucas proved, huge budgets are not needed to make stories that changed the entire landscape of blockbuster filmmaking in Hollywood, something that Disney may need to learn to avoid more situations like The acolyte. did The acolyte Following Lucas’ most prevalent rule, season 2 would likely have been guaranteed long before season 1’s viewership numbers were revealed.

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George Lucas made sure his sequels were guaranteed up front

Lucas wasn’t one to make one-and-done Star Wars movies

Another important lesson that the creators of The acolyte Could have learned is to guarantee a sequel in front. like The acolyte was arranged, and more so in the aftermath of the season 1 finale, questions were asked by fans and creatives about whether a continuation would be confirmed. In an increasingly profit-driven landscape, it’s rare for second seasons of TV shows to be ordered before the release of the first in order to give studios a chance to gauge success rates.

The acolyte Feels like a show that needed a sequel to be guaranteed before season 1 started airing, primarily due to the plethora of unanswered questions teased for a sequel that will now never be addressed…

This is not to say that this scenario is impossible, however. Some studios are willing to provide multiple seasons if creators are strong enough to demand so in negotiations. The acolyte Feels like a show that needed a sequel to be guaranteed before season 1 started airing, primarily due to the plethora of unanswered questions teased for a sequel that will now never be addressed. Someone who always had a contingency plan for sequels, or established continuations of his stories in advance, was George Lucas.

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As far as the original trilogy is concerned, Lucas cannot guarantee the success of Star Wars Given that the studio, and even the filmmaker himself, have little hope that the film will do well. With this possibility a reality, Lucas created a contingency by forming the beginning of a plan for a low-budget sequel by writer Alan Dean Foster. If Star Wars If not, a sequel would still have been created thanks to Lucas’ foresight. of course, Star Wars was the opposite of a failure.

Alan Dean Foster’s story was eventually written as the novel Splinter of the Mind’s Eye.

With the prequel trilogy, all three films have been confirmed at the start of production of Star Wars: Episode I – The Phantom Menace. Lucas’ story outline for the prequel trilogy was conceived as just that, three movies. Therefore, production dates for Star Wars: Episode II – Attack of the Clones are set for less than a year after Episode Is release, with this also being the case for Star Wars: Episode III – Revenge of the Sith In comparison to Episode II. All of this forward-thinking planning by Lucas saw his stories end even before they began Filming, something The acolyte could have learned from.

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The Jedi may be flawed, but still need to be shown as heroes

The image of the main heroes of Star Wars should be consistent

Moving away from production and development, The acolyte Also had some story elements that didn’t quite work and could have benefited from Lucas’ methods. More so than any other Star Wars tv show, The acolyte Depicted the Jedi as people with desires, needs, and, most importantly, flaws. In and of itself, that’s not a bad thing, with Lucas often doing the same thing Star Wars. After all, it was Anakin Skywalker’s flaws as a man that saw him lose his way as a Jedi, and the flaws of those around him meant that his downfall could not be prevented.

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however, A major difference between Lucas Star Wars Stories and The acolyte is that the former always depicted the Jedi as heroes despite their flaws. in The acolyteThe muddled execution of its themes and character arcs blurs the lines between flawed and outright morally ambiguous. The Jedi’s choices in The acolyte Episode 7, for example, would have been flawed yet heroic if the show devoted more screen time to fleshing out the depths of its characters. Instead, the decisions felt rushed, illogical, and oftentimes baffling.

The acolyteIn short runtimes, the show’s Jedi come across as flawed without the overt heroism of Lucas’ stories…

As a result of the rush narrative, The acolyte ended with a sense of uncertainty. Viewers weren’t sure how to feel about many of the show’s main characters, as showrunner Leslye Headland committed to exploring the fallen Jedi a step further than Lucas ever did. That said, this extra step needs to be accompanied by a similar extra step in exploring backstories, motivations and desires. unfortunately, The acolyteIn the show’s short runtime, the show’s Jedi was flawed without the overt heroism of Lucas’ stories in a galaxy far, far away.

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The Acolyte was darker than Lucas’ Star Wars

Lucas’ Star Wars always has a semblance of silliness

Above many other things, Lucas’ Star Wars Stories were stupid. Stupidity is often something attributed to inferior storytelling, but Lucas always imbued his stories with this quality in a way that felt endearing, and inherently Star Wars. While at times he – admittedly – went too far with the likes of Jar Jar Binks, Lucas was insistent on Star Wars Be a franchise that is for children to enjoy, first and foremost.

in The acolyteThe built-in stupidity was gone. Although some elements of the show, most notably the Jedi tracker Basil, felt like an homage to the humorous elements of Lucas’ Star Wars, The acolytes primary setting was dark and brooding. Even the darkest Disney Star Wars Films – such as The Last Jedi And Bug one – have regular comedic relief and silly elements to offset the sadness, however The acolyteSit-centric history has these aspects reduced. While this could have worked, the execution was simply off, resulting in a story that felt too detached from what it was Star Wars has always been in his heart.

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George Lucas always wanted hope at the heart of Star Wars

Hope is rarely found amidst the Acolyte’s darkness

originates from The acolyteThe darker note is his lack of hope. A prevailing trend in every George Lucas Star Wars Property was hopeWith even the filmmaker’s darkest efforts in the franchise never failing to instill a sense of optimism in the hearts of viewers. for example, Star Wars: Episode III – Revenge of the Sith including Anakin Skywalker’s fall, Padmé’s death, and the tragic Jedi deaths of Order 66. Regardless, Revenge of the Sith Ended with the iconic shot of Twin Suns on Tatooine as the new hope of Luke Skywalker forging a path of light through the darkness was realized.

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so too, The empire strikes back Ended with Luke at his lowest point; Darth Vader is his father, Han Solo is captured by Jabba the Hutt, his Jedi training is stalled, and he loses his arm. Nevertheless, in the final scene of the film, a plan was established for the future as Luke, along with his new family, vowed to set things right. No matter what horrors and tragedies Lucas included in his stories, the final feeling was always one of hope, something The acolytes cancellation robs the show.

Disney’s Star Wars movies have continued Lucas’ hopeful endings, from finding Luke Skywalker in The Force Awakens to the Jedi inspiring hope in children across the galaxy in The Last Jedi.

as of The acolyteIn the end, all of the show’s main Jedi characters were dead, Osha and Mei were split apart, and the former began training as a Sith under Kimir as Darth Plagueis loomed in the background. In itself, the ending feels very hopeless. Even on the Jedi side of things, The acolyteS Verenstra Rwoh has tamed Sol’s memory in an attempt to cover up the mistakes of the Jedi. All this contributes to the lack of hope The acolyte Granted, with the show’s cancellation, the show now can’t learn from Lucas’ best aspects as a storyteller in Star Wars.

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