George A. Romero is considered by many to be the godfather of the horror movie monster, zombies. Although the term was used before, it was not until Night of the Living Dead In 1968 it began to take shape in the way many know it today. This was a shift in the cultural landscape of horror movies, where most of the contributions were B movies designed to make audiences laugh at ridiculous monsters and over-the-top performances.
Most of the rules surrounding zombies were established in this first outing, with many filmmakers maintaining the self-evident laws of the walking dead. However, not every horror film is a zombie film, and there are still many different aspects to it Night of the Living Dead Which paved the way for future horror classics. From introducing social commentary to a genre that had not used it before, to a drastic increase in the level of graphic violence seen on screen. George A. Romero’s Zombies in Night of the Living Dead Lives on in the many movies and filmmakers he inspired with his own, unique, contribution to the horror genre.
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The Evil Dead (1981)
Raimi’s comedic twist on Romero’s horror formula
Sam Raimi The evil death is a pillar of the horror genre, with its cultural influence that goes a step further than its predecessors. Still, if not for the influence of night of the living dead, It could never have been Bruce Campbell’s”great” And all these Evil Dead Movies that followed. While not a traditional zombie movie, its inspiration from Romero’s classic is evident in its isolated setting and living corpses terrorizing its protagonists.
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The use of terrifying body horror techniques, reflecting the visceral impact of each other, shocked audiences and moviegoers, as Raimi sought to replicate the unflinching image of body mutilation and the almost depressing fate of his central character. However, it should be noted that Raimi perhaps took it a step further by introducing elements of humor in his approach to the genre. Like all great filmmakers, Raimi was able to build on the success of Romero’s work and, as a result, progress the evolution of the beloved horror genre.
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grave (1981)
A more risky Italian homage
In the case of Andrea Bianchi grave, It is as if the Italian horror movie Night of the Living Dead Like a choice medallion around his neck. Is this a great movie? No. Is it a fun movie inspired by George A. Romero’s classic? Yes, it is. The slow-moving, shambling undead that constantly hunt and prey on the living is a clear homage to Night of the Living Dead Golz.
Wow Burial ground Differs is in its plot. In Romero’s indie horror classic, there is a substantial story with real characters and a groundbreaking casting decision in Duane Jones as Ben. Whereas, Bianchi’s sacrifice is much more than a bad fever dream with each moment of graphic violence followed by another, and the use of openly-sexualized characters, in a world where the line between sexuality and graphic violence is blurred.
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Return of the Walking Dead (1985)
A comedy take on the zombie apocalypse
Return of the living dead
Return of the Living Dead (English: Return of the Living Dead) is a 1985 horror comedy directed by Dan O’Bannon and starring Clue Gulger, Thom Mathews, James Karen and Don Calfa. The plot revolves around medical supply store clerk Frank and his apprentice Freddy, who accidentally release a deadly gas that revives the dead in a nearby cemetery. Soon the city is invaded by a horde of hungry zombies, which Frank and Freddy have to fight for their own survival.
- Director
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Dan O’Bannon
- Writers
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Dan O’Bannon
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Thomas Mathews, Linnea Quigley, Clu Gulager, James Karen, Beverly Randolph.
- runtime
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91 minutes
- Release date
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August 16, 1985
Return of the living dead is cut from the same cloth as its predecessor with its vague zombie origins, much like in the original Living Dead title, and its bonding together of a rag-tag team of characters. Although the grim apocalyptic tone remains, Dan O’Brannon injects dark comedy into this cult classic, a feature absent in Romero’s original work.
“I don’t want to go on [Romero’s] Toes… I’m going to do mine as a comedy.”
– Dan O’Bannon
for defense, Return of the living dead Also served as a directorial debut and the director had to do it his way, “I don’t want to go on [Romero’s] Toes… I’m going to do mine as a comedy.” Return of the living dead is a film that can be seen as a loving tribute to Romero’s work but subverts and expands on the tropes established in Night of the living Death. Where the ghouls of Romero’s film wanted human flesh, O’Brannon’s somewhat plain zombies want only the brains.
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Night of the Creeps (1986)
Alien slugs meet zombies in a B-movie tribute
Alien slugs set free on a college campus cause havoc as all the students are turned into zombies in night of the creeps, A horror comedy from the 1980s that serves up all the beloved B movies of the past. Fred Dekker’s take on the undead was a new and unique one, but it captured the same tension as Night of the Living Dead As the characters fight for survival in an increasingly claustrophobic environment.
As in Romero’s classic, the zombies are slow-moving and on the hunt for meat. However, as the film pays homage to B movies, there is much more of a comedic tone that suggests the film is designed more as a fun experience than a scary one. The image of aliens at the beginning of the film may strengthen this argument more than anything.
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Resident Evil (2002)
One of the stronger video game adaptations
Riding on the coattails of the successful video game franchise, Paul WS Anderson’s Resident Evil Brought the zombie movie to a fresh new audience, and it did so, taking on the best elements of Night of the Living Dead. There are characters trapped underground in a room from which they are struggling to get out, all while a lot of infected tries to eat them. However, there is also a Romero-esque protagonist in Milla Jovovich’s fan favorite Alice.
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Much like the heroine Barbara in Night of the Living DeadAlice is a progressive character who grows throughout the film into her own action heroine. Fans of the Resident Evil Franchises come back again and again to see its strong female lead dispatch zombies in new and exciting ways. With action at the heart of this film, and the others that followed, Anderson helped to evolve the horror-zombie genre into something that was both scary and awesome.
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28 Days Later (2003)
Fast-moving infected scare the new generation of zombie lovers
Danny Boyle’s iconic 28 days later Reimagined Romero’s zombie apocalypse for the 21st century, introducing a fast-moving, storm-fueled infected. be Bleak, post-apocalyptic vision and its exploration of human nature under extreme duress were clearly inspired by night of the living dead, With Romero and Boyle delving deep into the dark side of human nature.
Visible in both films is the idea that in a world without rules or consequences, the foundation of civilization can quickly crumble, revealing the ugly and primal impulses that lie beneath many people, and the way each film is shot also plays into this similarity. Night of the Living Dead and 28 Days Later Plays out in a raw, almost documentary style, which allows the level of tension to never drop. This level of realism added to the horror of 28 days later, Leaving many cinemagoers too afraid to leave the theater after the film has finished.
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Dawn of the Dead (2004)
The Snyder Cut of Zombie Remakes
Dawn of the Dead (2004)
A remake of George A. Romero’s classic of the same name, the film follows a nurse, a policeman, a young married couple, a salesman and other survivors of a worldwide plague that is producing aggressive, flesh-eating zombies who take shelter In a mega Midwestern shopping mall.
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March 19, 2004
- Figure
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Sarah Polley, Ving Rames, Mechi Phifer, Jake Weber, Ty Burrell, Michael Kelly
Not all remakes are bad, and Zack Snyder proved that when he successfully pulled off a direct remake of George A. Romero’s Dawn of the Dead. Like its predecessors, Snyder’s film traps a diverse group of survivors in a shopping mall, using the commercial setting as a microcosm for examining larger social issues and criticizing consumerism and materialism. Nevertheless, by the end and much like night of the living dead, Snyder’s name suggests that even if the survivors can outrun the undead, the world they once inhabited is gone forever.
In terms of its gore and violence, there is an argument to suggest that in the case of Dawn of the Dead, there are some moments where Snyder takes it too far in his graphic spin on zombie lore.
This remake levels up the intensity of its action with the use of the 28 days later– Inspired fast-moving zombies. However, despite its focus more on the side of the narrative, it does not completely abandon the grim sense of despair of its character that permeates throughout the entire film. In terms of its fullness and violence, it is an argument to suggest that in the case of dawn of the dead There are a few moments where Snyder takes it too far in his graphic spin on zombie learning.
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Shaun of the Dead (2004)
Edgar Wright blends British humor with classic zombies
From director Edgar Wright, Shaun of the Dead stars Simon Pegg as Shaun, an ambitious slacker who one day finds his world overrun by zombies. From a script by Wright and Pegg, Shaun of the Dead injects comedy into a typically horror-focused subgenre as Shaun and his lazy friend Ed (Nick Frost) attempt to rescue Shaun’s estranged girlfriend and make it through the apocalypse unscathed.
- Release date
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September 24, 2004
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Kate Ashfield, Nick Frost, Simon Pegg, Lucy Davis, Dylan Moran
- runtime
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99 minutes
– Want something from the store? Sean asks Ed before taking a walk to his local corner store, completely unaware of the apocalypse that happened overnight. Shaun of the dead is not just a classic British horror film, it is a classic horror film in its own right. It’s a loving homage to all of George A. Romero’s zombie films that use the undead uprising as a metaphor for its protagonist’s stagnant and unfulfilling life. 20 years later, it still holds up.
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Much like night of the living dead, Edgar Wright’s breakthrough film focuses on ordinary people facing extraordinary apocalyptic circumstances. Sean, much like Ben from the 1968 film, is forced to become a hero in a London that stands on the brink of total collapse. moreover, Shaun of the dead Also uses the horror genre for social commentary, suggesting that the routines of modern life are much like a state of ‘living death’ and the zombies come along as more than a wake-up call to help characters grow out of their inertia and take action in their lives.
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[REC] (2007)
A terrible Spanish story
REC is a Spanish-language found footage horror film that is truly terrifying, and its style mirrors the documentary-like realism and mounting dread of Night of the Living Dead. Her characters are cut off from the outside world by a growing threat they struggle to comprehend, and the rapid societal breakdown means they are truly on their own to face the crisis, no matter their pleas for help from relevant authorities.
Much like Night of the Living Dead, REC Only suggests some of the reasons for the outbreak and leaves the audience wondering about the cause of the horror. It is a reflection of how quickly society can be thrown into hysteria when they are up against something they do not understand. The human impulse to contain, no matter the consequences, lies at the heart of the film. The film was so successful that it received an American remake title Quarantine. However, most agree that there is something special about the original, as its Spanish setting and unknown actors add to the terrifying realism.
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The Madmen (2010)
Eisner’s Remake Channels Romero’s Societal Paranoia
Breck Eisner’s remake of George A. Romero’s own 1973 horror movie, the crazy Draws heavily from the pattern established by Night of the Living Dead. As Romero’s debut, The crazy ones is set in a small, rural town that becomes the epicenter of a terrible outbreak. As in the 1968 film, the plague turns normal people into zombie-like killers.
The exploration of how fear and paranoia erode trust and turn neighbor against neighbor is a constant theme in Romero’s work, not just in night of the living dead But is so clearly visible in the original and the remake of The crazy ones. Eisner’s updated version offers greater production value and more action set pieces, but it still captures the same sense of creeping dread and social commentary that defined it. Night of the Living Dead. His ending also mirrors that of night of the living dead, Where the power will be restrained, how to help the suffering.