picture comics Chip is a record-breaking ongoing series, with over 350 issues in the decades since its debut – and in that time, The series produced scores of iconic comic covers, many of which are truly stunning, unforgettable works of art.. at their peak, Chip Covers represent some of the best the industry has offered over the past thirty years.
In 1992, Todd McFarlane’s Chip Helped lead the “Image Revolution,” an era in the 1990s defined by the migration of superstar Marvel artists to their own, creator-owned label. McFarlane’s demonic antihero has since achieved record-breaking success as the longest-running creator-owned comic in the industry.
Spawn is drawn by some of the most talented artists in comics, from Greg Capullo and Brett Booth to Marc Silvestri and Phillip Tan. This is especially true when it comes to covers, where some of the biggest names in the industry have turned in vibrant and attention-grabbing art.
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Spawn #38 Cover
Illustrated by Tony Daniel and Kevin Conrad
Chip #38 takes the revised origin of DC’s Mr. Freeze and turns it into a Frankensteinian horror story, exploring Dr. Frederick Wilhelm’s experiments to save his dying wife. This leads to the creation of iconic Spawn villain Cy-Gor, A large gorilla with the brain of a man implanted in his head, leading to a combined rage and strength.
The cover for Chip #38 features C-Gore tearing his way through a wallStumbling down on a seemingly triumphant Wilhelm. The cover is one of the most engaging series, requiring a read for fans to understand who the scientist is and what the creature behind him plans to do. The issue also harkens back to a time when the series was more open to “monster of the week” style stories, mirroring the formula of a standard superhero comic.
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Chip #9 Cover
Illustrated by Todd McFarlane
Chip #9 stands out as a key issue in McFarlane’s series due to the introduction of Medieval Spawn and a key villain, Angela – an angel charged with hunting down Hellspawn. The cover reflects the nature of the story within, Highlighting a victorious Angela standing over the remains of Medieval Spawn’s battle-scarred armor.
Chip #9 is an infamous issue in the series’ history as the book that sparked a feud between Todd McFarlane and Neil Gaiman. Where McFarlane insisted on ownership of Angela due to her placement in his series, Gaiman pointed to Image Comics’ emphasis on creator rights and ownership. This led to one of the most famous modern comic book court cases, as the two creators fought for the character, with Gaiman eventually winning and merging her with the Marvel Universe.
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Spawn #63 Cover
Illustrated by Greg Capullo and Todd McFarlane
Chip #63 follows Al Simmons after finally getting his face healed, while preparing for a confrontation with Wynn – who plans his own next move. After a run-in with Terry Fitzgerald, the hero arms himself for his impending fight. While the issue doesn’t have much in the way of action, Greg Capullo’s stunning interior art makes it just as engaging as any issue in the series, especially as the hero is given back his identity.
ShPeon #63 is one of the more underrated covers, featuring the antihero with a pair of smoking machine guns As he stands on a monster. Despite being more of a pin-up cover than reflective of any interior action, the cover is one of the series’ most compelling, casting Al as a gun-toting fighter ready for war.
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Chip #4 Cover
Illustrated by Todd McFarlane
Although many may associate the story of Al Simmons with action, it was not actually until Spawn #4 that the hero so much as had a punch. Up to this point, the action of the series has been a combination of flashback sequences and Violator’s macabre about other characters. Here their confrontation finally resulted in a battle, albeit a short one.
The cover of Spawn #4 remains the definitive Violator coverGive readers a close-up of the monster’s drooling face, preparing for his fight with Simmons. Drawn by Todd McFarlane, the cover was the first villain-focused piece in the series, setting the tone for his story and what would become Spawn’s defining enemy, as well as offering a further evolution of the core style and tone. from the book.
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Spawn #224 Cover
Illustrated by Todd McFarlane
During 2012, Todd McFarlane released a string of homage covers to classic comics, from walking dead #1 to Guard. Chip #224 delivered the most popular of the covers, reimagining Frank Miller’s cover for Dark Knight Returns #2 as an imposing version of Spawn (who, at this time, was actually Jim Downing). The story delves into Jim’s history as he nears a confrontation with Jason Wynn.
The Dark Knight returns #2 is one of the most referenced covers in comic book history, And McFarlane’s homage is, by far, the best it’s ever been. The cover brings out McFarlane’s keen attention to detail, breaking the artist’s love of chains and spikes as Jim Downing stares down the reader.
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Chip #8 Cover
Illustrated by Todd McFarlane
Chip #8 follows the story of one of the hero’s most formidable villains, child killer Billy Kincaid, as he navigates the dangerous landscape of Hell. Along with a group of children, the serial killer fights his way through various demons, eventually coming face-to-face with Malebolgia himself. This set the stage for King of Hell’s next game to bring down Al Simmons.
Issue #8 doesn’t just have some early ones Chip Most stunning interior art, iIt also sports a fantastic cover that pays homage to McFarlane’s cover for Spider-Man #1 (1990). In the years since, references to the veteran creator’s covers for the Big Two have become a staple of his art, and issue 8 remains one of the best.
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Chip #19 Cover
Illustrated by Greg Capullo and Mark Pennington
Chip #19 features Al Simmons working with the great Harry Houdini who, in this universe, is capable of performing real feats of magic. This allows him to help the antihero understand his own abilities, something that is key when the pair are forced to fight a street gang together.
Chip #19’s cover almost immediately overshadowed every issue in the series since the firstFeaturing Simmons without his mask as he is surrounded by fire. For a series centered around a character empowered by Hell itself, few covers have been as perfect for the hero as this one, and the vibrancy of Greg Capullo and Mark Pennington makes it stand out. At this time in the franchise’s history, the character of Spawn was still very much defined—and visually-arresting covers like Capullo and Pennington’s were as essential to the process as the interior art.
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Spawn #301 Cover
Illustrated by Todd McFarlane
Like Todd’s McFarlane’s triumphant, record-setting comic, Chip #301 has officially surpassed Dave Sim Cerebus As the longest-running indie comic series in history. After running and just passed #360, This landmark issue cemented the creator’s status as the most successful indie creator in the industry.
Chip #301 features a triumphant Al Simmons in his suit holding his crown while stepping on a stack of back issues. The issue itself follows Simmons in the aftermath of his battle with Violator, addresses his new place in the world since going public and explores the fallout from him sealing the Dead Zones. Chip #301’s triumphant cover is a testament to the level of achievement it is for any comic book series to run for over three hundred issues, especially an independently owned and created title such as McFarlane’s.
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Spawn #77 Cover
Illustrated by Greg Capullo and Todd McFarlane
Chip #77 The hero is still recovering from his battle with the Heap, when he turns to Cogliostro for advice and help. Here, the former Hellspawn advises El to make a play for the throne of Hell and take on Malebolgia once and for all. In this issue, the antihero’s determination to kill his would-be master begins. Meanwhile, Sam and Twitch’s hunt for Al leads them into dangerous territory.
Chip #77 became one of Hero’s most sought after covers due to its stunning themeFeaturing the hero with angel wings as he looks up to the heavens. Drawn by McFarlane and Capullo, the issue stands as a reminder of the fact that the series reliably delivered some of the most iconic art of the modern age of comics, which Chip Helped to reach its next stage.
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Chip #1 Cover
Illustrated by Todd McFarlane
When it comes to truly iconic comic book heroes and their series, it’s not uncommon for the cover of the first issue to be the most compelling and popular among readers. This is especially true for Spain, Whose debut comic features the hero in full costume flying into action, welding his Necropasm energy. The cover perfectly sets the tone for the series, emphasizing its supernatural elements and a dark backdrop, with the hero’s red cape soaking up much of the space in typical McFarlane fashion.
Chip #1 follows the resurrection of Al Simmons as Malebolgia’s Hellspawn, as he navigates the streets of New York City in his new form. Except for a brief struggle, the issue is primarily an introduction to Al Simmons through his internal monologue, as well as the situation in the city through McFarlane’s signature television news-based exposition, as the book establishes many beloved aspects of the still ongoing. Chip Saga.
Based on the dark comic by Todd McFarlanee, Chip Was adapted for film in 1997, starring Michael Jay White. Killed on a job after being betrayed by his boss, Al Simmons makes a deal with the devil and returns to Earth as Spawn to face his new nemesis the Clown.