In modern times, Lovecraftian Or Ellorch horror has become more and more popular, with an increasing number of films representing this particular subgenre of scary movies. Named after the works of HP Lovecraft, Lovecraftian horror refers to stories that lean on specific tropes emblematic of the writer’s work, including forbidden knowledge, cosmic terror, the insignificance of humanity, and creatures or entities that exist outside the boundaries of Human perception. Also referred to as Elrich Horror, this particular type of scary movie has become incredibly popular in recent years.
The best Lovecraftian horror films develop heavily into the themes of Lovecraft’s original work, or at least have a superficial surface-level relationship to them on the grounds of images like Cthulu, the cephalopod-like entity and famous horror antagonist. Some eldritch horror movies are direct adaptations of Lovecraft’s stories, while others simply take heavy inspiration from the genre and still ultimately create something new. whatever the case, Many of the best Lovecraftian horror movies are relatively recent films.
10
Dagon
Released in 2001
- Director
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Stuart Gordon
- Release date
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October 31, 2001
- Figure
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Ezra Godden, Francisco Rabal, Raquel Meroño, Macarena Gómez, Brendan Price, Birgit Bofarull, UxÃa Blanco, Ferran Lahoz
- runtime
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98 minutes
Except for the dreaming titan Cthulhu that rests beneath the wavesOne of the most popular names in Elrich Horror is none other than the similarly fishy Dagon. The 2001 film The Figure of Being combines Lovecraft’s short story of the same name with one of his more famous novels, The shadow over Innsmouth. The plot centers on a vacationing group of friends who are attacked by a water monster, forcing them to take refuge in the mysterious town of Imboca, the Spanish equivalent of Innsmouth.
Imboca soon reveals itself to be deeply infested with the vengeful sea god Dagon’s presence, complete with strange fish-man hybrid citizens evoking Lovecraft’s original images. It’s hard to deny the author’s overt presence in the film, which represents not one, but two of his most fear-provoking stories. But even without this influence, the elements of mind loss, water nightmares and a downer ending that punctuates a terrible revelation all scream old horror.
9
The audience
Released in 2016
- Director
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Jeremy Gillespie, Steven Kostanski
- Release date
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April 7, 2017
- Figure
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Aaron Poole, Mick Biscow, Kathleen Munroe, Ellen Wong, Kenneth Welsh
- runtime
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90 minutes
While adapting an actual Lovecraft story may be the surest route to successful eldritch horror, Films like The audience Proving that originality can be just as chilling. The film is shocking from its opening, which details a man seemingly murdering a woman in cold blood, only to end up in a hospital before the body can be discovered because of his own exhaustion. Before he can be properly investigated for his supposed crime, a rogue army of hooded cultists and strange tentacled creatures begin to infiltrate the infirmary.
Emulating low-budget horror movies of the 80s, The audience Manages to go far with a lean production value, teasing the appearance of its practically created monsters with clever lighting and camera tricks. One of the most defining traits of Lovecraftian horror is the consistent way the author’s nightmarish creatures and situations defy description, And The audience is able to capture this sensibility amazingly well with such a visual medium. Add in some generous body horror and mysticism, and The audience is a sterling representation of the subgenre.
8
In the mouth of madness
Released in 1994
- Release date
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February 3, 1995
- runtime
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95 minutes
In fact, most of the horror movies in John Carpenter’s filmography owe Lovecraft some inspiration, with famous images like The thing Absolutely using Elchurch pictures. however, Carpenter’s actual adaptation of a Lovecraftian story is by far his most prized example of true Lovecraftian terror.R, not disappointed with In the mouth of madness. Loosely based on HP Lovecraft’s novel in the mountains of madness, In the mouth of madness Posed Sam Niel as an insurance investor with a refreshing sense of reality.
The movie has a clear grasp of Lovecraft’s more esoteric sense of fear he was able to sum up in his original story, confusing and confounding the audience with questions about what is and is not real. In the mouth of madness Even leans on the fourth wall at times, with the final act in particular running the risk of being too stupid while still being able to go right up that line and stop before crossing it. Lovecraft is not just tentacles and fish men, but existential dread and the betrayal of the senses, and Carpenter’s interpretation captures these elements beautifully.
7
The Haunted Palace
Released in 1963
- Director
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Roger Corman
- Release date
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August 28, 1963
- runtime
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87 minutes
Perhaps the oldest film to faithfully depict true eldritch fear, The Haunted Palace Planted the earliest cinematic seeds of Lovecraftian horror’s popularity with the first adaptation of one of HP Lovecraft’s books. Inspired by the novella The case of Charles Dexter WardThe film describes a manor overlooking the infamous city of Arkham, Massachusetts (a recurring destination in Lovecraft’s works) that is inherited by an outsider, Dexter Ward. Ward quickly discovers the city of Arkham and its citizens are not what they seem, and his legacy has a hefty price tag.
Despite being based on a Lovecraft story, the film takes its title from the work of Edgar Allan Poe, constantly refraining from lines written by the famous horror poet throughout. This is indicative of Lovecraft’s own inspiration through Poe’s work, playing on two generations of evolving horror storytelling. Vincent Price knocks it out of the park as Ward, and the fantastic art design of the sets and hideous mutant Arkham residents still holds up today.
6
The Dunwich Horror
Released in 1970
Directed by the art director on the haunted palace, The Dunwich Horror is a brilliant translation of Lovecraft’s short story of the same name. The film centers on a graduate student, Nancy, who comes into possession of the infamous Necronomicon, the same book of the dead name-dropped by the Evil Dead Series. Soon, Nancy is pursued by a disturbed man who hopes to use the book to summon nefarious beings, doing everything she can to prevent the artifact from falling into the wrong hands.
Admittedly, compared to many of the more recent forays into eldritch horror movies, The Dunwich Horror Reads like dated today, with cheesy b-loads of acting and special effects that can distract from the scares. However, the film is worth keeping as one of the earliest influences of pop culture to represent Lovecraftian horror, increasing its popularity by a wide margin. Even if this is not the case, the oppressive atmosphere and sheer sense of ominous anxiety that the film manages to conjure is worthy of high praise.
5
event horizon
Released in 1997
- Director
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Paul vs. Anderson
- Release date
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August 15, 1997
- runtime
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96 minutes
Even though many eldritch horror films are directly inspired by the works of HP Lovecraft, if not direct adaptations of his work, a rare few are able to break the category in a spectacularly unique manner. This is certainly the case for Paul WS Anderson event horizon, Which takes spacefaring horror to a whole new level. The film revolves around a spaceship crew sent on a rescue mission to Neptune in hopes of recovering another ship. The crew soon learn that the cause of the disaster was much more evil than they could have ever imagined.
event horizon Thrives on the ambiguity of its unknown threat, a paranormal entity that seems capable of driving even the most stalwart of spaceship captains while dragging others to one of the scariest movie depictions of hell ever conceived. Eldritch horror thrives on scares too powerful for human performance, and event horizon Certainly qualifies under that, implying the worst of his dark universe while giving the audience only glimpses. From the nightmarish visuals to the excellent performances, event horizon is an eldritch horror trip straight to hell.
4
underwater
Released in 2020
- Director
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William Eubank
- Release date
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January 10, 2020
- Writers
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Brian Duffield, Adam Cozad
- runtime
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95 minutes
Not every film wears its eldarch horror inspiration so proudly in its premise or advertising. On a surface level, 2020s underwater Seems to be nothing more than a rip-off of Ridley Scott’s Alien With a slightly different set sauce, taking place in a submarine research station rather than a spaceship. however, underwater Has a secretly Lovecraftian ending that enhances the already tense sci-fi horror it’s capable of generating, sprinkling its third act with a generous heaping of cosmic dread.
Kristen Stewart stars as the protagonist among the crew of the research mission, who are picked off one at a time by terrifying alien creatures lurking just out of sight in the depths of the ocean. Before long, Cthulhu himself appears, threatening to encompass the entire world with his influence. Combining Lovecraftian inspiration with climate change allegories and thalassaphobic visuals, underwater Deserves more credit as a truly original piece of elf horror fiction.
3
Destruction
Released in 2018
- Release date
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February 23, 2018
- runtime
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115 minutes
After the Academy Award-nominated screenplay of ex machine, Writer and director Alex Garland decided to turn on the cosmic side of horror with Destruction. Based on a novel of the same name, the film stars Natalie Portman as a scientist, Lena, tasked with leading an expedition into the mysterious “Shimmer,” an iridescent bubble of energy that several other groups have previously been missing in, including Lena’s husband. . In the Shimmer, the very laws of physics and biology themselves seem to be mere playthings to the aura’s influence.
Destruction is full of terrifying imagery evocative of eldritch horror, from the dismembered corpses of former scientists growing into slime-mold-like organisms to the mutant bear that mimics the screams of its victims. The area also has a notable impact on the sanity of those who venture within, an important ingredient of any Lovecraftian horror story, And Lena’s group devolves into infighting and paranoia soon enough. finally, Destruction Imbibes in some heard, almost philosophical horror beats that resonate with eldarch themes.
2
The lighthouse
Released in 2019
- Release date
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October 18, 2019
- runtime
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110 minutes
Still making a name for himself with the dark, Brothers Grimm-style fairy tale that is The witch, A healthy dose of Lovecraftian terror was injected into Robert Eggers’ filmography with The lighthouse. Like so many Lovecraftian horror stories, The lighthouse Takes place in sight of the ocean, with a sparse two-person cast of Robert Pattinson and Willem Dafoe playing a pair of lighthouse keepers. In their isolation, the two slowly succumb to madness as Pattinson’s Winslow reconciles with the terrible past from which he tried to escape.
Of course, there are many visual similarities on the surface to Lovecraft’s monsters, with tentacles and mermaids galore. however, It’s the cards The lighthouse plays close to its chest making it a truly wonderful cinematic showcase for eldritch horror, Never let the audience into the full depths that the depravity extends to by hurrying their perception with strange purposeful continuity errors and timeline warping. Indeed, it is the remarkable chemistry between Pattinson and Dafoe that sells the story above all else, highlighting the importance of acting skills in a Lovecraftian story.
1
Color out of place
Released in 2019
- Director
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Richard Stanley
- Release date
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January 24, 2020
- runtime
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111 minutes
A brilliant return to form by director Richard Stanely, Color out of place is a phenomenal interpretation of what was for a long time considered to be one of Lovecraft’s most difficult works to adapt. After the same plot of the story it gets its name, Color out of place Sees Nicolas Cage taking on the role of a farmer whose property is hit by a strange meteor. It is not long until the influence of the impact begins through his property in more than one, and transform the people and the landscape itself.
A scary story about an impossible-to-picture new color might seem like a terrible idea for a film adaptation, however Color out of place Manages to make it work, with psychedelic visuals that sell the awesome alien power of the asteroid. Cage does some of​​​​his best work with the profound mind-altering effects of the meteorite, and the film manages to balance its slow burn into insanity with dazzling special effects. A perfect sum of Lovecraftian elements, Color out of place is a phenomenal piece of eldritch horror.